Personal chronicles, discussion of world events, American politics and foreign policy... along with a little bit of Led Zeppelin.
Friday, June 17, 2005
Madness
I'm pretty sure it was only last year that I started going to movies by myself. Actually, never mind - it was 2003 when I got back from Colorado. At first it was just as bad as going to eat at a restaurant alone. I don't mean the actual act of watching the movie. I mean buying the ticket with a bunch of couples around. Oh well, I guess. Why shouldn't I be able to watch a movie just because no one will go with me? I went to a lot of them last summer.
Anyway - so I was too late and ended up going to Blockbuster and renting a couple things. I got Curb Your Enthusiasm (Season 3) just in case The Forgotten freaked me out too much; I would have something light to watch afterward. I tend to like to watch something funny after a horror/thriller. Really just thrillers, because I usually find horror movies distasteful and stupid.
I would recommend The Forgotten to anyone who can handle science fiction. Some people can't. I know Aaron hates it because it's just too weird for him. If it's not realistic, he tends to focus on the unreality of things rather than the underlying premise that is being explored, which of course is what science fiction is really about. Many people in my science fiction English class last semester were pretty hung up on whether or not the book was realistic. Apparently they forgot what kind of class they had enrolled in.
It's no secret that I can become pretty emotionally involved with movies and television if they are touching on things that I find relevant to my own life in some way. Ben once criticized me for essentially seeing my life as The Wonder Years played out in real life. So anyway - I think the reason why the movie last night and of course Eternal Sunshine of the Spotless Mind hit me so hard is because of how attached I am to my memories.
You know - I always start these things or compose them in my head and they're much more complete than they end up being when I post them.
At work yesterday, I recorded Grosse Pointe Blank on the DVR because I've never seen it in its entirety and I love John Cusack movies. So I'm watching it and he tells Minnie Driver's character that he's had dreams about her roughly five nights per week for the last ten years. I don't need to tell you what that reminded me of and started me thinking whether that's going to happen to me. Of course after the movie last night I predictably had a dream about Destini. Many times I can't remember exactly what the dream consisted of, I'm only left with the knowledge that her presence in it was pervasive and complete. Surely, this is madness, is it not? Obsession?
I will reiterate that I have not seen her since late July 2004 and have not heard from her via email since December. That doesn't mean that I haven't emailed her. But I'm not getting responses anymore. Probably because she has moved on and now views me as pathetic and/or crazy. Of course I don't know what I'm really asking for, because knowing how incredibly jealous I am, there is little chance that, given a second chance at things, I would be able to erase enough of my bad memories to allow a positive relationship to proceed. So maybe that's what she knows and she's sparing us both the heartache that would accompany any attempted reunion. I don't know. All I know is that watching Curb Your Enthusiasm was not a big relief - the last episode I watched featured Larry's wife going to see a play that her friend Brad is performing in, and Larry's first reaction is to say go ahead and go, even if he doesn't feel good about it. Of course the thing is a comedy and everything developed in a humorous manner, but I was stuck in a memory of mine. It was after the break-up and Destini was leaving my house to see a band play. I was doing her laundry. She was supposedly going to see the band because her friend Melinda liked a guy that played with them. Of course the guy was the cokehead and within weeks I found out that was the guy who she was sleeping with. It's possible no one else will see my mental progression on that one. Nonetheless, it was there.
Maybe that's why I don't usually finish these things - because I seem much crazier after I write it out than when I'm stewing over it in my head.
Thursday, June 16, 2005
Philadelphia Bound
Trial
Thursday, June 09, 2005
Trivia Champs
Curiously, most of the questions seem to have been made up in 1997 or thereabouts. The queries ranged in subject matter from music to movies to politics.
Our prize was a whopping fifteen dollar tab at the bar, which we used on four beers and a shot of Jack Daniels for Thom and I. I expect that we'll be back next Tuesday in an effort to defend our title.
Saturday, June 04, 2005
It's Been Over Two and a Half Years...
Last time I actually saw her was last July. Last time I had any communication with her was in December.
What the hell is wrong with me?
Laughing on the Inside
Coupled with some other remarks that were made, I might be forgiven if I got the impression that she thinks I'm an arrogant prick. But hey, I'm sure that's not true.
Friday, June 03, 2005
Military Recruiters Encounter Opposition from Parents
Thursday, June 02, 2005
Bush Opposes More Aid to Africa
In reality, the United States of America gives less money proportionally than almost any industrialized nation to foreign aid, less than one percent of our GNP.
The article also touches on what the US has done since our country declared the Darfur situation in Sudan to be genocide. (Virtually nothing.)
Bob Herbert Editorial from NYT
Tuesday, May 31, 2005
Out of Exile
Circuit City was giving away a free small poster with the purchase of the CD. The poster features the same images of the four band members as the center of the liner notes.
I also purchased the first two seasons of NewsRadio, the TV show on NBC that ran for five seasons and featured Phil Hartman and Dave Foley. I'm a big fan of the show. Many of the second season's episodes are named after Led Zeppelin albums.
Sunday, May 29, 2005
Aaron's Wedding
On Wednesday, we had a small bachelor party. Brett and I went golfing with Aaron at Sunset. I had the best score with a 59 over nine holes. For you non-golfers (like me) out there, that's not good. We golfed the last hole using only the putters. Then we went to the Seneca Casino in Salamanca with Turck, Aaron's brother Eric, Aaron's then-future brother-in-law Paul, Matt, and Thom. We ate at the buffet, which was very good. I provided Aaron with some seed money for gambling. Hours later, none of the eight guys had won a damn thing. I did pretty well at blackjack, but unfortunately spent too much time on the slots. After the casino, we went back to Brett's (The Studio) for a fire and some music. By this time, there was only Matt, Thom, me, Brett, Turck, and Aaron left. Aaron stayed until about 3am. He seemed to have had a good time, despite our luck at gambling.
Thursday was the rehearsal dinner, which was at the Marvin House and was very nice. I met most of the wedding party that I hadn't up to that point. Chrissy and Keah were Nikki's friends from California that she had met at Anderson University in Indiana (Christian school). Both girls were very nice. There was at least a glimmer of interest in conversation when it was revealed that Keah is a Zeppelin fan. However, shortly afterward I was brought back to earth during a conversation about Colorado when she mentioned that Colorado Springs is where 'Focus on the Family' is based. I was quickly reminded who I was talking to. Focus on the Family is the foundation set up by James Dobson (of 'SpongeBob is gay' - and other idiotic pronouncements - infamy). I suppose I could have mentioned that it's also where I had some fantastic passionate sex with my girlfriend at the time, with a lovely view of Pike's Peak out our window. However, I decided to be civil.
Friday, I drove to Cuff's Formal Wear in Erie because Aaron's father Greg's tux had pants that were about three inches too short and his shoes were too small. I made up a map at Aaron's house for the route from the church to the reception, and then Aaron and I went to dinner. After a Market Fresh sandwich, we went to the Legion in Frewsburg to set up for the reception. I drove Aaron back to his apartment and then went home to finalize my Best Man speech.
I had been working on the speech in my head for months but I hadn't actually written anything down. The Best Man's Handbook that Wendy sent me helped me to synthesize my ideas into a semi-coherent 2.5 page speech that looked to draw some laughs and also to convey my sincere feelings. I finished typing it up around 3:30am.
I was pretty nervous the whole time leading up to the wedding. I went to the mall, purchased a gift, and had it wrapped. I had many opportunities before to buy a gift, but I hadn't really found anything I liked. I settled on a small chest with three photo albums inside. I figure married people can never have enough photo albums, right? I went to Aaron's house and took him to the church. We changed into our tuxedos and got ready for pictures, which were being taken by Aaron's friend Yoo Rok from RIT. My responsibilities included hanging onto the ring as well as lighting the candles in the windows and the candelabras on the altar.
The receiving line after the ceremony probably took longer than the ceremony itself; there were over 200 people there for the wedding. It's always nice when people greet the bride and groom warmly and then just stare at you and keep walking. Even nicer is when the line stops and you're stuck across from someone you know not at all and you just stare at each other awkwardly.
Sorry this post is so disjointed. I'm typing things as I remember them. I've been in three weddings now and things always seem to go by in kind of a blur. Basically, everything was very nice and very well done. I was nervous about the speech I was going to have to give, so I was somewhat preoccupied during the time after the ceremony because I was worrying about that.
Anyway, the speech went surprisingly well. It helped that they had a microphone for me, and I noticed the DJ turned me up about three times. I got quite a few laughs and an overall very positive reaction from everyone who commented.
The reception was dry, as I may have mentioned earlier. This did not preclude a lot of dancing. I think Al and Barb, Nikki's parents, were the cutest couple to watch dance. Al was tearing up the floor. I always enjoy seeing older couples having fun with each other.
Keah dragged me onto the floor for a dance, but after brief consultation we both headed to the bar, where I had the unique opportunity to buy a drink (a Madori Sour - I have no idea if I'm spelling that right) for a pastor's daughter (she is apparently a youth pastor going for her Master's Degree in Divinity). I had a Tom Collins. I didn't want a White Russian right then and I really don't know drinks very well. I ordered what came to my mind first. A Tom Collins is what Holden orders in the hotel bar in Catcher in the Rye. Anyway, she seemed like she was a fun person, if somewhat misguided in her thinking.
The reception wound down about 11 or so. The DJ, who was supposed to have "The Rain Song" because it is Aaron's favorite Zeppelin song, could not produce it. He had only the fourth album, which 25 million other people have as well. And he had "That's the Way" because it's on the Almost Famous soundtrack. Lame. I requested "Going to California" but it was not played. I was disappointed.
I'm at work, so I think that's all I'll write for now. It was a good time. It's weird to have yet another friend married. If this trend continues, we single people will soon be in the minority. Odd.
Link to Thom's Recent Post
Sunday, May 22, 2005
Grades are In
Science Fiction = A-
Media & Politics = B+
The 1960s = A
The Cold War = A
Cumulative = 3.6
Eerily enough, I received exactly the same grades as last semester in exactly the same disciplines (two As and a B in the History courses, an A- in English, and a B+ in Political Science) even though it seems like this semester was much smoother. I'm not going to complain though, since I got so lucky with the grades last time. I'm sure next Fall will be another adventure.
Dave Grohl Comments on New Album, Draws Comparisons to Zeppelin's Physical Graffiti
Rick Santorum Feature in NYT Magazine
Saturday, May 21, 2005
Miscellaneous
I noticed two days ago that The Rolling Stones will feature two opening acts of interest to some - Pearl Jam and The Tragically Hip. I doubt that I'll be shelling out the money to see either of those shows, but it would be cool. I'm not the biggest Stones fan, but I'm sure that collectively they'll both be great shows. The Hip actually opened for Jimmy Page and Robert Plant during a portion of the 1995 tour.
I should be back online on a more regular basis fairly soon - I'm going to be ordering a new Dell next week. Now all I need is a computer desk.
That's all for now. I'm at work now. Looks like I'll be going to Turck's for a bonfire this evening. Should be fun.
Saturday, May 14, 2005
Couldn't Have Written It Better Myself
Warning: Infrequent Updates Ahead
Anyway, until I get a new computer and desk, I'm somewhat at a loss for blogging opportunities or online time in general. That means I'm likely to fall further behind in the quest for Bonus Points at The Irreverent Marsupial and that I will be less-informed than I typically like to be. A tragedy, to be sure.
I'll be working on preparations for my Best Man toast at the reception and also for the most tame bachelor party you can probably imagine.
School is over, for better or worse. I don't think the results will be quite on par with last semester, but we'll see. I did not expect to do as well as I did last time, so maybe that bodes well. Efforts to contact me should be directed to my parents' home and my Hotmail address.
Upcoming plans aside from the wedding ceremony which I'm sure will be very nice include the Robert Plant shows in Philly and Toronto in June and early July.
Turns out that Matt will be unable to move in for the Fall semester, so I am in search of a roommate once again. All the luck in the world, eh?
Late Night Robert
The Letterman performance came after a mere nineteen commercial breaks (okay - it was only four). Robert seemed to be a bit unnerved. The show returned after yet another commercial and there was Robert, jamming with friend Paul Shaffer and the CBS orchestra on a rendition of "Treat Her Right." Did the cameras catch this great impromptu moment? Sure - about 15 seconds of it. Thanks so much for that.
James Spader was not the featured guest, as scheduled, for Friday's show. Instead, Quentin Tarantino took up a big chunk of time talking about directing an episode of CSI. Fascinating! Not.
So there was only time for Plant to do the song and then the show was over. Apparently the lyrics to "Tin Pan Valley" hold somewhat true: "I'm turning down the talk shows, the humour, and the couch..." Maybe he's using them to showcase the new single but is not consenting to dumb questions about what it was like to dump televisions out of windows thirty years ago.
Thursday, May 12, 2005
Monday, May 09, 2005
My Day
Well, I didn't really start working until 11am. Then at 11:40, I went back to the apartment, picked up the Plant album from my mailbox, used the facilities, and came back in a roundabout way after previewing a few tracks. By 12:15, I was back in the computer lab.
Anyway, somehow I churned out 11.5 pages in about 4.5 hours and was printing my hastily-designed lame cover page at about 3:56 and handing the paper to the professor at 3:58pm. It may be crap, or it may be good. Not sure what he'll think of it. In any event, it's done. I have two finals to go - Media/Politics tomorrow and Medieval History on Thursday, and then the Media and Politics paper due on Friday the 13th.
I'm kind of shot at this point from waking up, sleeping, waking up, stressing out, et cetera. However, I'm going to try to make it down to Brett-Dogg's abode to view Plant's performance on Letterman tonight, since I don't actually have cable or any other reception here. Dedication.
The Mighty Rearranger Review
On Friday, Robert will be on Conan O'Brien's show. James Spader is the featured guest.
I received my preordered copy of this album today from Amazon's UK site, where it was released May 2. It will go on sale tomorrow here in the United States. My pressing contains a "hidden track" after "Brother Ray," which is the 'rave mix' of the first single, "Shine It All Around."
All I can say is that the album is very, very good. I'm not sure I can gush over it like some of the critics have, specifically the ones that say it is his greatest work since mid-period Zeppelin, or since Physical Graffiti, mainly because I love Presence and In Through the Out Door. However, I can safely say that it is better than Dreamland and it approaches the greatness of 1993's Fate of Nations. I don't necessarily like to compare works by the same artist. It's really purely subjective. I'm sure that 1983's Principle of Moments was very good for its time, but it may not possess the same resonance today as it might have then, especially among younger listeners. I guess I can say that virtually all Zeppelin sounds timeless to me, while some of the group's former members have produced albums that now sound somewhat dated, even if I can still appreciate them. On some songs, Mighty Rearranger has been infused with some electronica in addition to its rock and African rhythms, and in time the electronica may sound to us the same way 80s synthesizers sound to us today. For an album of this time, it's really good. Lyrically, I believe it's just as good as his best, on Fate of Nations, if not better.
"Another Tribe" starts the album. If you read the Rolling Stone Q&A that I posted yesterday, you'll recall that Plant calls this his best latter-day vocal performance. I'm not sure I would agree with that, but it's a good song. The vocals are definitely mixed to the front. The main instrument is the percussion, with some string accompaniment. The lyrics may refer to tolerance for other people's beliefs and/or culture:
"I think there may be a war in heaven
Paradise beneath the smoking gun
As every saint and small town saviour
Race to justify their chosen one
I wonder, as our world collides
I want to reach out there
Across the great divide"
"Shine It All Around" is the first single, and it's been out for a while. It features the big, pronounced drum beat and great bass line. The vocals are echoed in some places, and the guitar is nice and crunchy. This is a great pop song, and probably the wisest choice for the first single. The lyrics pertain to famine relief ("break a little bread now, share it all around..."). There's a nice short solo about three minutes in.
I've already posted the lyrics to "Freedom Fries" but the Myrtle Beach show was the only time I had heard the song until now. It's a pretty funky number, North African drum intro with the vocals coming in next, and then the bass and guitar. The lyrics are just great to this one. There's an excellent guitar solo on the "outro." Here are some of the lyrics again:
"Billy the Kid told the Prince of Thieves,
A little give and take to satisfy my needs
You can give me lots but I'll take some more
I got my eyes on your treasure beneath the desert floor
Freedom fries and burns and scars
The liberator goes too far"
"Tin Pan Valley" is next. This song has an electronica-flavored introduction with almost whispered vocals, bass and drum accompaniment. There's just a great rhythm to this track with excellent phrasing. There's a degree of irony to the lyrics given Mr. Plant's appearance on two late-night shows this week...It is not until Robert yells, "Like THIS!" that the guitar really kicks in and he unleashes some of those trademark wails. Then the understated vocals return for another round until..."like THIS" everything explodes again.
Again, some lyrics:
"I come from Tin Pan Valley and I'm moving right along
I live on former glory, so long ago and gone
I'm turning down the talk shows, the humour and the couch
I'm moving up to higher ground, I've found a new way out.
There's parasols and barbeques and loungers by the pool
The late night conversations filled with 20th century cool
My peers may flirt with cabaret, some fake the rebel yell
Me - I'm moving up to higher ground, I must escape this hell..."
Next up is a really nice acoustic ballad called "All The King's Horses" that features some great picking from Skin Tyson. There's an electric guitar in the background. Sounds like Plant's vocals are doubled on the repetition of the song's title in a couple spots, which has a nice effect. There's a very fluid solo in the middle portion. This is a good campfire kind of love song.
"All the Kings horses, all the Kings men
I'll weave a circle round the sun
Throw down my arms and give my all
I'll be your soldier of love"
Track six is the previously reviewed "The Enchanter" that has a very sensual groove to it. The drum and bass work very well together, and the guitar is serpentine in nature. There are some electronic effects, but they're in the background and do not compete with the huge backbeat and swirling guitar. If it was up to me, I would have made this song the first single. Perhaps it will be next. There is what some have described as a "rave-like fade out," and this is true to a certain extent, but I think it works within the song. In addition to the effects, there's Justin Adams on the bongo and a simple keyboard line repeated over again with a little bass. This is one of the best tracks, and it's undoubtedly about a provocative female. If the last song was wholesome, this one hints at the passion underneath.
"Takamba" follows, and this begins with some muted guitar and some clapping before the rest of the band enters and blows everything up. This has one of the best introductions. Plant declares, "Sing a song of freedom, write it in the sky. Pocket full of secrets, belly-full of lies...tricks and mirrors, sleight of hand - promised land." The lyrics look to be a bash of Prime Minister Blair's decision to lead the UK to war with the US in Iraq. A very strong song.
"Dancing in Heaven" sounds like a corny title, but this song is really quite good. Prominently featured is Skin's acoustic guitar once again, gently supported by the rest of the band and strong vocals from Robert. Nice solo, likely from Skin - and good bass work from Billy Fuller. There's a nice groove to this track.
"Somebody Knocking" - if you read my blog regularly, you'll realize that I already panned this song more than a month ago. I've tried to listen to it since then, and while it has grown on me a bit, it's still not my favorite. In the context of the album, it fits well enough. The instrumentation is somewhat rambling, but Plant's vocals definitely sound better on the CD than they did in the mp3 I've had for weeks now. The lyrics on this song are the weakest of the whole album, mostly blues cliches and variations on that theme set incongrously to North African instrumentation.
"Let the Four Winds Blow" made its live debut at the Myrtle Beach show I saw in late March. This track is similar to "Tin Pan Valley" in a way, there is a good rhythm and groove coupled with great phrasing on Plant's part. The vocals may be stronger on this track. The whole song has a kind of sauntering stride to it, a mixture of quiet confidence and with just a little bit of aggression that removes any doubt that the song rocks. More great work from the whole band and standout guitar from both Skin and Justin Adams. There is quite a bit that sounds similar to "If I Ever Get Lucky" from Dreamland and from Justin Adams' solo CD, Desert Road.
"Mighty Rearranger": The title track has a lot of the swing of the last track. The vocals are mixed a bit oddly here, with the effect of having them sound somewhat hollow with a bit of echo. The song sounds a bit tinny before the rhythm section steps in, and even then, there's something not quite right. The live version from Texas I've heard sounded superior to the album version. That said, there's some nice harmonica here from Plant.
"Brother Ray" is not much of a song. It's more like a piece of a jam that was somewhat obviously tacked on to the album as an afterthought, or as a hastily-arranged tribute to Ray Charles, or both. It sounds like everyone in the band picked up whatever instrument happened to be around them and started playing. There are no actual lyrics, just a series of "ooh" and "ahhh, yeah" repetitions from Plant. The whole thing lasts just over a minute before a few seconds of silence and then the remix of "Shine it All Around." I've heard the bonus track on the Japanese pressing, "Red, White, and Blue" and would have preferred that, either in place of the remix or "Brother Ray." I think RWB is really good. Remixes are for singles, not for albums, in my opinion.
All in all, a very solid effort for Robert Plant. I can't wait to see him again in Philly and Toronto this summer.
Now go out and buy the album, if you haven't already.
Sunday, May 08, 2005
That Explains a Lot
Studies have shown that lead particles hover in the air for hours after being burned in automobiles. With the number of cars in a race, and the attendance of these huge NASCAR events, I think we can all see the conclusion I'm drawing from this. One may speculate all one wants regarding the intelligence of those that go to watch NASCAR, but one thing is for sure:
they certainly aren't any smarter when they leave.
The amusing thing about hearing the story on NPR is that they covered the story they way they would cover anything else - by capturing the ambient sounds associated with whatever they happen to be reporting. While at a race, they recorded at least a dozen "yeeeeehaaaaaaa" and "wooooooooohoooooooooo" exclamations from various race fans (the fans may have been named Jim-Bob, Bobby-Joe, Billy-Joe, Billy-Ray, or some other combination - but we know it could be hyphenated, and that's what counts).
Rolling Stone Q&A: Robert Plant
Check it out.
Friday, May 06, 2005
High Crimes or Misdemeanors
While you're at it, check out:
http://www.gregpalast.com/video/palastmarch%2705.mp4
http://news.bbc.co.uk/olmedia/cta/progs/newsnight/attack22.ram
Krugman Column on Medicare
Thursday, May 05, 2005
America is Over
Wednesday, May 04, 2005
Audioslave Live at the Agora Theater in Cleveland April 24, 2005
Throughout the show, I was struck by the effortless way in which Cornell could sing such vocally challenging songs and how nonchalant he appeared to be, several times singing with his one hand in the pocket of his cargo pants. Thom remarked after the concert that in his Soundgarden days, Chris had often been in his own world on stage. That was the case this night at least to a limited degree. One could see his mind was turned inward for much of the show.
The primary factor that limited the total impact of this intense show was the fact that Chris Cornell’s vocals were so very low in the mix that they were utterly drowned out many times by the powerful band behind him. Cornell seemed unaware of this; wearing earpieces in each ear that were likely vocal monitors, he was probably oblivious to the problem. However, the vocals that soared above the cacophony that often developed to his back were, it must be said, much better than the entire first Audioslave album. His voice retained all of the clarity and strength audible on Soundgarden albums that I’ve grown used to, unlike the vocals on Audioslave’s album, which apparently due to the production, made Cornell’s voice seem ragged and weak in many places.
“Your Time Has Come” (alternately referred to as “Your Time Will Come” in advertisements I’ve seen subsequently) was the first new song of the set, and was introduced as such by Chris. It is difficult to judge new songs when they’re played for the first time in a concert setting, so I will reserve judgment. I will say that although the new songs they played that night sounded different from those on the first album, they were not incongruous with the rest of their material; they seemed to fit in well. With any good band, different albums show forward progress and not stagnation, and Audioslave certainly seem to be moving ahead.
“Spoonman” was the first nod to the members’ previous work in other bands, and it received a tremendous ovation at its conclusion. All four men in the band had a turn in the spotlight during this number. Commerford proved himself more than competent on the bass solo and backing vocals. Wilk had a nice roll on the drums, and Morello showed his remarkable versatility with the solo on his sunburst Gibson Les Paul. The Soundgarden songs that Audioslave played were played in what seemed to be a cautious manner and perhaps with just a bit of hesitation. This may improve with more shows under their belts. Chris Cornell seemed like he was genuinely moved by the crowd’s reaction, looking out at specific members of the crowd and nodding his appreciation.
Tom Morello was by far the most animated of the four for the entire show, jumping on monitors and off again, striking poses, and inciting the crowd. At no point was this more visible than during the Rage Against the Machine songs. After playing the first single from Out of Exile, the band paused. Cornell announced that behind him stood the greatest rock band in the country, and then walked off the stage. The first strains of “Bulls on Parade” wafted out toward us, and the crowd went nuts. We in the front row were thrust forward toward the barricade. I remember thinking with disappointment that Cornell wasn’t going to attempt to sing the RATM songs, but I was enjoying the raw power of the instrumental version too much to care a great deal.
Then Cornell returned – walking back to the microphone as “Sleep Now in the Fire” began. This song provoked more movement from Cornell than most others; he displayed his rhythm by rocking back and forth from one leg to the other as Wilk played at a martial tempo, reciting these great lines –
“For it's the end of history
The audience was in frenzy. After a great “Outshined” and a solid “Shadow on the Sun,” the band walked off. Cornell returned alone, walking out with an acoustic guitar, and serenaded us with a subdued “Black Hole Sun.” This was the one point at which his vocals had a chance not to be ‘outshined,’ but alas – it was not to be. Some prick behind Matt decided that he could sing the song better than Chris and tried to prove it. This may come as a shock, but he was wrong.
The full band came out for one of my favorite Audioslave songs, “I am the Highway,” and this rendition did not disappoint. The throat-tapping effect to conclude “Show Me How To Live” would have made for a great short movie clip taken with a digital camera, but unfortunately those had been disallowed at the last minute.
“Killing in the Name Of” was the penultimate song, and there is little to say about it, other than it was incredible. The Rage boys tore up the stage, and Chris acquitted himself of any doubts anyone may have had, seeing this on the setlist in advance. Unquestionably this song brought the most forceful crowd participation, as only a song with the lyrics “Fuck you, I won't do what you tell me” can.
Audioslave closed with “Cochise,” but as with any supergroup composed of members from other famous bands, the highlights came in the Soundgarden and Rage songs, which is probably why they were not played on the band’s first tours. The lowlight? Well, that would have to be the sweaty moron’s armpit that rested on my shoulder for the majority of the last four songs of the show.
All in all, an incredible show and a band I would see again whenever possible. Our front-row position saved us from probable serious injury…and also made for a great experience. Chris Cornell, it can safely be said, is one of the greatest frontmen in rock, and his claim about his bandmates is truly not much of an exaggeration. Great concert.
The Smile of a Satisfied Fan

Me, Zareh, and Jim (Susie's husband) after the show in Myrtle Beach
This picture was taken just outside the House of Blues after the show. I had talked with Zareh and his beautiful wife for quite a while prior to the show. Zareh reminded me a great deal of my friend Paul, just in his ecclectic musical taste and the ease with which he and I conversed about bands we enjoyed. He lives in New York City, but had traveled up from a temporary stay in Georgia to be there for the show. There was some bittersweet quality to the encounter with Zareh and Alina, just because they reminded me of the four Plant shows I had attended with Destini, mostly by their shared enthusiasm and obvious love for each other. It just brought to my attention, once again, that I was alone.
Jim is Susie's husband, and we had also talked while standing in line. He seems like a really great guy, and really - how can you not be a great husband if you're taking your wife to see Robert Plant? They had flown in from Wisconsin and both had a great attitude about life, basically espousing the belief that life is meant to be enjoyed and that they weren't going to wait until retirement to have a good time. I was very lucky to have great people around for the very long wait before the show. This is in direct contrast to the next month's Audioslave show, when Matt, Thom, KP, and myself were surrounded by idiots.
Having a Drink with Mr. Plant
Susie, Cindi's sister (sorry, don't know her name), Robert Plant, Cindi, Justin Adams (guitar, Strange Sensation)
Well, I'm not sure what to say about this other than that I'll resent these people for the rest of their lives for being able to hang out with one of my idols while I was busy trying to drive a few hours after the concert so I wouldn't have to drive for 13 hours the next day.
No - I probably won't hold it against them...for long. Anyway - these are some of the people that I spent time with in line before the show in Myrtle Beach. We had some nice conversations, some Zeppelin-related and some not. I also ended up standing next to most of them for the duration of the performance and we talked for a bit after the show. Susie and Jim informed me that they were going to try to meet Robert. I basically said, "good luck." Well, they were pretty determined. They found out he was staying at a certain hotel, finally tracked it down, and eventually encountered the band minus Robert (I may post that picture later, but I realize most of you don't care) and later saw Mr. Plant emerge from an elevator. I won't go into the whole story, since it depresses me to tell it - ha - but essentially, they had the pleasure of sitting down with Robert and having a nice, casual, hour-long discussion over drinks in the hotel lounge.
Yeah, I said an hour.
Anyway - they're all nice people, and Susie was kind enough to send me some pictures. I've talked to Cindi via email since the show - from all accounts, she was virtually speechless the entire meeting.
So although I went alone, I did meet some great Zep/Plant fans, and that's what it's all about.
Nice To See Some People Speaking Up
"Bright Eyes plays anti-Bush song on Jay Leno
I couldn't believe he got to play this song on NBC.
I'm waiting for the right wingers to mount a protest against Jay Leno and NBC now. Brent Bozell will proclaim "liberal bias" high atop the rafters of the MRC.
Click here for the performance
Daily Kos: Last night, folk-rocker Conor Oberst (aka Bright Eyes) performed on the Tonight Show with Jay Leno. If you've heard any of his albums, you know Bright Eyes is clearly political (he participated in last year's Vote for Change tour, as noted in the Rolling Stone excerpt I posted below the fold).
But last night's performance was just incredible -- in fact, I'm legitimately surprised NBC even allowed it to air..."
and also:
http://homepage.mac.com/njenson/movies/timryanlow.html
Friday, April 29, 2005
April 24, 2005 Cleveland Pre-Audioslave
We chose to forego a chance to sample a Cleveland Subway in favor of something local, winding up at a place with a really elaborate name that was something like "The New Best Steak and Gyro Restaurant." The place turned out to be huge, just like the woman who took our orders. She was quite friendly though. The interior of the restaurant contained pool tables, arcade games, and a gumball machine. Matt and I got cheeseburgers, Kevin had already eaten, and Thom had a pizza on a cardboard plate. Matt commented on my ability to furnish him with napkins whenever we eat anywhere and claimed to appreciate my utility. Matt speculated that the restaurant was a prime hangout on Friday and Saturday nights, since it is open 24 hours and is close to Cleveland State.
We returned to the parking lot close to 5pm and found a few more cars there. We made our way inside and found ourselves perhaps 10-15 people back in the line. After a long wait which was made much longer by our proximity to so many stupid conversations, and instructions given that cameras were not allowed (and then allowed, and then “instamatic” cameras but not digital cameras), we were ushered into coherent lines. Many people that arrived much later than we did were equally close to the front of the line. The four of us had an understanding that anyone getting to the front would save spots as best he could for the rest. Once through the ticket check and security, I rushed ahead and was able to claim a large section of the railing just to the left of center stage. I was soon joined by my companions, although Thom elected not to squeeze into a spot at the front and elected instead to stand behind me. I thought this was curious, but then as the show got going I saw Thom’s motives more clearly…just kidding, Thom.
After an extensive run through Bob Marley’s greatest hits, the opening act hit the stage just after 8pm. Johnny Polonsky was the opening act. Polonsky covered vocals and lead guitar. He seemed to be begging for a comparison to Kurt Cobain, both in his vocal delivery and in the way he played the guitar (except he was right handed). The guy could definitely play. His solos were pretty intricate. The songs were not incredibly complex though, and they all seemed to be in the same vein. The real entertainment of the opening act was the drummer, who looked to be the absolute least-coordinated musician I’ve ever seen. Most drummers cross their hands, with right-handed drummers positioning their right wrist over their left. This guy played with both sticks parallel, and looked like he had just learned how to play. In fact, he brought to mind someone throwing a baseball for the first time in their life. He didn’t seem to be able to bend his wrists at all and just had no fluidity. Oh – and he looked a lot like Thom Yorke.
I did a little research and it seems that Polonsky has played with Tom Morello in the past, specifically in some Axis of Justice shows.
When the band finally left the stage, we were again treated to yet more Bob Marley, which by this time was getting pretty tiresome. The review of the Audioslave portion will follow, hopefully shortly.
Tuesday, April 26, 2005
Pearl Jam, eh?
As you'll see when you follow the link, tickets can only be purchased in pairs, which is of course how I normally buy them, regardless of the fact that I have such a difficult time finding people to accompany me to shows. I just completed a purchase of two tickets for the Toronto show, although looking at a map (and apparently having no knowledge of Canadian geography beforehand), I see that Hamilton is closer. Oh well. It's only another 45 minutes or so, and the crowd might be a little more fired up (although they're Canadian, so who knows...kidding).
I take it demand for this show, at least among my primary blog readership base, will be higher than for the Robert Plant shows? Well, I'm going to need the money fast, so who wants to go? If someone wants to hit the Hamilton show as well, I'm going to need the money up front. If you read the rules, you'll see that I can only order one pair per concert.
Sunday, April 24, 2005
Saturday, April 23, 2005
Bleeding My Account Dry
I need money. I need a job for the summer that I work at for more than 13 hours per week.
Friday, April 22, 2005
Wasting Time
Oh yeah - I should be writing a paper right now.
Thursday, April 21, 2005
Energy Bill Passed in the House
"Capps said groundwater contamination from the gasoline additive has affected more than 1,800 community water systems in 29 states with a potential cleanup cost of $29 billion. MTBE makers, including large oil companies and refiners, dispute that estimate but have argued they need liability protection because of an expected surge in lawsuits.
The MTBE provision has been a top priority of Majority Leader Tom DeLay and Rep. Joe Barton, chairman of the Energy and Commerce Committee, who argue that Congress endorsed the widespread use of the additive when it required gasoline contain an oxygenate to help clean up the air.
Both are from Texas where major MTBE manufacturers are located."
Subtle, eh? Social conservatives vote these great Republicans in, hoping that they'll ensure that gays can't get married and women can't get abortions. Apparently they're not thinking of the unwanted child being born with birth defects from the contaminated water its mother drank while she was pregnant and how the company that polluted the water supply is protected by legislation passed by the Republican-controlled Congress...
A bit of a stretch, you say? Perhaps, but everything's connected.
Crooks and Liars
Anyway, here are two great clips from the site. Make sure you download the Daily Show clip about the Prez and his staged Town Hall meetings. Good stuff.
The other one is a segment of the John Bolton (proposed UN ambassador who has been quoted as saying it should be disbanded and/or that the US should leave the organization) hearings and probably won't interest you unless you're more like me than you're willing to admit.
http://movies.crooksandliars.com/The_Daily_Show_Luntz.wmv
http://movies.crooksandliars.com/U~3.wmv
Wednesday, April 20, 2005
Bob Herbert NYT Column
Tuesday, April 19, 2005
Audioslave on Sunday
I was going to post a setlist from their show on the 14th, but just in case those guys want to be surprised by the selections, I'll refrain. If anyone's curious, they can check this link.
New Pope Has an Interesting Past
"Despite question marks over Ratzinger’s wartime conduct, the main obstacle to his prospects in the conclave — the assembly of cardinals to elect the new pope — is the conservative stance he has adopted as guardian of Catholic orthodoxy since John Paul named him to head the congregation for the doctrine of the faith in 1981.
His condemnations are legion — of women priests, married priests, dissident theologians and homosexuals, whom he has declared to be suffering from an 'objective disorder.'"
Separation of Church and State
Saturday, April 16, 2005
Robert Plant Interview
Odd
Dazed, Confused, Disoriented
Anyway, the title of the post refers to the fact that I was pretty tired by the end of classes on Friday. I got home a little before 3:30, listened to some music, checked my email, and flopped onto my bed around 5pm. Well, I just woke up now, and it's a bit after 4am. I had expected at least someone to call - namely Matt - to tell me that we were going downtown. However, no one called and I consequently did not wake up.
I am considering an extra semester - holding off graduating in December to do an internship semester in Washington, DC as part of a political science program. It would involve taking out more loans, of course, and it would make it just about a full seven years without a Bachelor's Degree after high school, but I don't really know what I'm doing when/if I graduate in December anyway, and this may be good for the resume. I don't know how to make the little accent mark over the 'e' so you'll just have to try to read that correctly. I haven't made any decision on this yet - it's just a possibility.
Well, I think I'll take advantage of the fact that I'm up now and do some laundry before I eventually have to get ready for work. Then I'll try to get back to sleep to minimize the degree to which my concept of night and day is screwed up.
Wednesday, April 13, 2005
Roberto Planto Toronto
I'm still planning on trying to go to the two Philadelphia shows. Not sure when they'll be going on sale.
Incidentally, Robert's site has finally gone "live" at www.robertplant.com - it's very hip. Check it out, but make sure you have the latest Flash plugin.
I have a nice long paper to write about Frederick II for my Medieval History class, so I'm going to get back to that now.
Monday, April 11, 2005
Pearl Jam Tour In The Works?
We're here to put a little bug in your ear because a little birdie paid us a visit and told us, "tweet tweet ca-caaw ca-caaw." After careful research, we learned that it translates to: Please be sure your fan club membership is current and your mailing information is up to date by April 19th. And if you haven't joined the fan club yet - what are you waiting for, eh? You can go to the "Goods" section of http://www.tenclub.net/ to join, renew, or update your fan club membership. You can update your email or postal address at address@tenclub.net, and don't forget to keep an eye on the News area of http://www.pearljam.com/ for additional updates.
(TenClub members receive priority seating for concerts)
Thursday, April 07, 2005
From October 2, 2004/Various Comments
Wednesday, April 06, 2005
Bugman In Trouble (Again)
New Tour Dates For The Summer, and an Invitation
Whole Lotta Tour
Fresh off his keynote appearance at March's South By Southwest conference, Robert Plant is preparing to return to North America for a tour backing his upcoming release, Mighty Rearranger. The former Led Zeppelin frontman so far plans to make the rounds of theatres, casino venues and sheds in June and July, kicking things off in at the Providence Performing Arts Center in Rhode Island June 15 and winding down at the Greek Theatre in Los Angeles July 24. In between, he'll crisscross the continent with stops including Boston, New York City, Atlanta, Toronto, Chicago, Denver, Las Vegas and San Francisco. Mighty Rearranger is a collection of new original songs with Plant's backing band, the Strange Sensations. But fans can expect a healthy dose of Plant and Led Zep classics as well. In the meantime, Plant is in the midst of a seven-concert series at London's Royal Albert Hall to benefit The Teenage Cancer Trust, along with The Who's Roger Daltrey, Eric Clapton, as well as newcomers Franz Ferdinand and Keane.
______________
So I know the dates aren't even on sale yet, but I would like to get to both Philadelphia (Upper Darby, PA) shows and the Toronto show. This will, of course, be dependent on finances and circumstances when tickets go on sale. Please take a look at the tour dates if you have any interest in Robert Plant and/or you have any interest in accompanying me to a great concert. The co-headlining tour with Jeff Beck does not look as if it will materialize, although that's fine with me as it likely means longer sets from Plant. If I haven't already promoted it enough, Mighty Rearranger is due out in the US on May 10 - same as the new Weezer disc, if I'm not mistaken. The Philly shows would make for a nice mini-roadtrip with a stay somewhere around the area probably the night before the first show and again the night before the second. I'll just wait for the offers to come pouring in.
Ha....ha.....ha.
Tuesday, April 05, 2005
More St. Patrick's Day Fun
Lending a hand - or two
So this isn't quite what it looks like. You might not immediately realize it from this picture, but this girl has a boyfriend. It seems as if every time someone comes to my apartment for the first time, they must ask me "hey - are those your weights?" and "you really lift those?" and invariably insist that I show them, insinuate that I'm lying, or try to lift them alone. Tammy here took the first and third approach, and I had to intervene before she dropped them (like Thom did) and possibly broke something (like my floor, for instance). I think it may have been a simple ploy to engage in a little grinding action, but I could be wrong. Undoubtedly, she walked away disappointed from the close encounter and I doubt she'll be coming around again.
Monday, April 04, 2005
Blogging Issues
Contest
Friday, April 01, 2005
Schiavo Comments
The fact that this became such a huge issue in the media is just a testament to the fact that there's very little going on right now for them to sink their teeth into. The main competition has been the Michael Jackson trial/soap opera. What's that you say? A discussion about the President's plan to eliminate Social Security? A debate about what kind of nation we want to be - a social welfare state or a social Darwinist state? No, no, no. Why would we want to concentrate on something that's actually important to more than four or five people? Come on, now. Be realistic.
Anyway - the war is old news, there are no elections coming up, and thus the media have to turn small stories into a huge orgy of sensationalized crap. The Terri Schiavo case is nothing more and nothing less than a dramatized version of the same types of decisions that are made every day by thousands of families. It is an extraordinary difficult decision to make for most families, but the question has to be asked - in what kind of condition would the person have considered themselves still living and not merely alive? I think most of us, if asked whether we would choose to remain alive in Schiavo's state...............
So I started this post at 5:31pm, March 31. But since that time, I have checked Wendy's site, and she pretty much says what I was going to say, in much the same spirit, in a likely more concise way than I would have. So I'm going just going to refer you to her site. Sorry for cheating.
Thursday, March 31, 2005
Mitch Hedberg - Dead at 37
He had so many great lines, and such fantastic, understated delivery. I must say that every time I watched him perform, I was reminded of my friend Abe.
Mitch, you will be missed.
Wednesday, March 30, 2005
Stolen From Thom's Blog

St. Patrick's Day 2005 with Amanda and Theresa. This picture appears on Thom's blog with the caption "Wyatt's a pimp, a crazy, drunken pimp." The accuracy of this claim is still in dispute. Something that is beyond debate however, is that this is a pretty horrible picture of me. I'm not sure where I'm looking.
I think by this point, I had already had my interaction with Amy, the girl that works at Two Brothers, who was formerly employed by Quality Markets. Perhaps I'm smiling like a mental patient because she had actually talked to me, if only to inform me that she "sort of" had a boyfriend. Amy and I always seem to have intense eye contact whenever we meet, but that could be my imagination. Or it could be that she is just looking back at the scary guy who is staring at her. Anyway, I need to figure out more ways to interact with her after I've been drinking, because things were a lot smoother than when I tried to talk to her at the grocery store. Alcohol - the social lubricant.
Speaking of which, although it's not completely obvious in this picture, Theresa had been thoroughly oiled at this point in the evening, and spent much of her time at Muldoon's weaving in a somewhat circular fashion.
Amanda had admitted earlier that night to occasionally checking my blog after parties for tales of buffoonery by myself or others, but avoiding the political commentary, with which she evidently takes issue. Ah well - I can't enlighten everyone, now can I?
Friday, March 25, 2005
Thursday, March 24, 2005
Myrtle Beach, South Carolina House of Blues March 21, 2005
Justin Adams - Guitar, Mandolin, Bongos
John Baggott - Keyboards
Clive Deamer - Drums
Billy Fuller - Bass
Skin Tyson - Lead Guitar
The Strange Sensation strode onto the stage at 8:30pm, picked up their instruments and broke into an ominous beat. Three of the band had various types of hand-drums, and Skin Tyson was on acoustic guitar. Robert Plant emerged from the shadowy stacks of amplifiers, his hands raised over his head, clapping with the rhythm of the drums. He picked up a drum as well and approached the microphone and told us to
"Close the Door, Put Out the Light
You Know They Won't Be Home Tonight"
...and so the crowd was hooked, entranced, and Enchanted for the next two hours. "No Quarter" has been dramatically reworked once again to serve as the opening number. As another review mentioned, "They choose a path where no one goes" is now the dominant refrain. Instead of evoking images of medieval warriors, the new rendition paints a picture of a relentless quest over a dark desert landscape (lyrics pertaining to snow notwithstanding). "Shine It All Around" was next, carried by the soaring emphatic cries of "SHINE" and built on the earthquake-proof foundation of Fuller's bass and Deamer's drums.
"Black Dog" is another mightily-rearranged Zeppelin tune. Plant gave the crowd the chance to fill in some verses, holding the microphone out, but there was some confusion among many and Robert had to pick up the slack, throwing a smile and shrug back to Deamer before launching into the "ahhh-ahhh" portion of the song.
Two new songs followed. "Freedom Fries" was well received, although it is questionable whether a crowd in Republican-heavy South Carolina would have cheered as much had they been truly listening to the lyrics "...A little give and take to satisfy my needs/You can give me lots but I'll take some more/I got my eyes on your treasure 'neath the desert floor" and "the liberator goes too far." Ah, well. "Let The Four Winds Blow" followed. This is a dynamic light and shade song in the Zeppelin tradition, with a somewhat mellow, tentative introduction leading into a raucous instumental section.
Plant instructed us that the new album was a sort of commentary on the aging Baby-Boomer generation, the people who ask "how are you, where are the restrooms, and what's a woody?", which he followed with "Thankfully, some things are still working properly."
"Heartbreaker" has also undergone significant change - the signature riff remains but has somehow been diminished. Despite hearing this version from the Tsunami Relief Concert webcast, I did not immediately recognize it at the show. This Page-less rendition has, predictably, no unaccompanied guitar workout in the middle, but Skin had a pretty nice solo nonetheless. Bonnie Dobson's "Morning Dew," popularized by the Grateful Dead, may be the number that has been changed the most in the shortest span of time, from Plant's subdued Priory of Brion performances in 1999 and 2000 to the early days of the Strange Sensation in 2001, the version on Dreamland, and now in its present incarnation as a more up-tempo rocker.
"That's The Way" is beautifully done, and as another reviewer noted, it is a welcome replacement for the somewhat tired "Going To California," although "Tangerine" would have been great too. I think Clive Deamer might be able to do "Poor Tom" some justice, but perhaps asking for anything off Coda is unrealistic.
I wholeheartedly agree with the suggestion that Plant could and probably should substitute some of his own back catalogue for the Zeppelin songs in the set. While it is certainly a thrill to hear "the voice of Led Zeppelin" as he is often billed - on songs that the Hammer of the Gods produced, I am of the opinion that songs like Wreckless Love, Horizontal Departure, Little By Little, Ship of Fools, and many others would be great to hear. As it is, Robert seems to have abandoned his earliest work as a solo artist. Nothing from Pictures at Eleven appeared on last year's Sixty-Six to Timbuktu retrospective. It would seem that Plant believes he's no longer near that particular place as an artist and that his more recent output is more representative of how he'd like to be viewed. Alternatively, it may be merely a concession to the sheer fact that so many more people were wearing Zeppelin shirts than Plant shirts, and that disparity represents general expectation in the crowd that he will be churning out a Zep-heavy set. I was a year old when Pictures at Eleven was released and two when Plant started to tour with Phil Collins on drums, but it would have been very interesting to go to some of those early shows where no Zeppelin songs were performed and fans had to be satiated by a few vocal nods to the man's previous band in the form of "Keep a coolin'" and "let me take you there..." It would be great to hear from people who attended those shows to see what the general crowd feeling was like after the show. Was it one of disappointment? There is also the distinct possibility that Robert really likes doing the Zeppelin songs because he has more fun singing them - and doing them in his own way - than some of his solo work. It could even be that he would work with Page again if they could just play small clubs, although I genuinely believe the control factor may be the key reason that Robert's guitarist happens to be named 'Skin' and not 'Jimmy' - the freedom to play whatever he wants in whatever arrangement he prefers on a given night, and knowing that his is the final word on the matter. In any event, personally I cannot shake the underlying feeling that something is missing when Plant does Zeppelin songs, even though I do unquestionably enjoy them. Unless two or three of the remaining members reunite, I don't believe I'll ever be able to top the feeling I got when I heard Plant sing live for the first time at the Orpheum in Boston 2001 - specifically on "In The Light" and "Whole Lotta Love." Absolute chills, goosebumps, hair standing on end, tears in the eyes - the whole bit. But enough of my ranting...
"If I Were a Carpenter" would not have been my selection from Fate of Nations, but it was performed well, very close to the version on the album. I would have preferred "Great Spirit" or "The Greatest Gift." Similarly, while "Tall Cool One" is a fun song (it has been arranged to rock more and be less silly than it ever was on the 1988 tour) and is always well-received, there are other songs on Now and Zen that might have been reworked to greater effect. Skin scraped four fingers of his right hand over the strings like a cat pawing at a feather and the band really seemed to be enjoying themselves.
"Tin Pan Valley" is apparently Robert's shot at his contemporaries, like The Who (or what's left of them anyway), who are cashing in on former triumphs without producing anything new. I think it's also a song that serves as a reminder to himself that he should only go forward. The song rocks, and everyone on stage knew it. It is another "tight but loose" number that had Plant screaming "like THIS" into the mic during the freak-out instrumental section.
"Babe I'm Gonna Leave You" should definitely be dropped from the set. After not playing it at all from 1970 to at least 1988 if not the 90s, this song has been overplayed from the Page/Plant outing in 1995 to the present, and the worst thing about that is that none of the post-Zeppelin versions even approach the glory achieved with the Jones/Bonham rhythm section. If it is a simple matter of Robert wanting to showcase his still-potent vocals, there are myriad other songs with which to accomplish that objective, and while Skin is indisputably a great axeman, he almost always disappoints me with the solo on this song.
In stark contrast, "When The Levee Breaks" is a welcome addition. Always one of my particular favorites, this was done with what one reviewer accurately described as a chain-gang style chorus on the last word of phrases like "Crying won't help you, prayin won't do you no GOOOOD." Bonham's drums are sampled for a backbeat and Justin Adams plays electric mandolin. This song was fantastic - although I think Jonesy's instrumental version with steel guitar does come close, the vocals put Plant's over the top.
For the encores, "The Enchanter" was up first, and provided another reason for optimism about the new Mighty Rearranger. Plant and company have managed to embrace some of the more modern directions of music, specifically 'electronica,' that Radiohead and others have enjoyed success with, and mixed it with elements of rock and Middle-Eastern vibes to create a unique and effective final product. Besides that, it gave the quirky and talented Mr. Justin Adams to dance around the stage with his guitar. This guy is quite the performer; I saw his antics produce a smile on Plant's face many times during the evening. In general, the entire band seemed to have a tremendously good time. There were smiles all around. Some of these may have also been produced by the very odd man to the front and right of me. He and his two moderately attractive female companions (one older and one younger) had been waiting in folding chairs outside the venue since 8:30 that morning, which put them three hours ahead of me. The rest of the early-arriving fanatics all had easy-going and smooth conversations, but this guy had remained apart from the crowd. His jet-black hair was set in a fashion that he doubtless believed to be the height of style, and he had three standard reactions to everything that went on during the show. First of all, I never saw him smile. He would instead emphatically point with all fingers extended to whatever band member he thought was doing a particularly good job at any one moment, all the while fixedly staring at them. At other moments, such as after "Shine It All Around," he would very stiffly hold up a small sign with a '10' on it, indicating his approval. Finally, he would also point vehemently at the elder female companion when Plant would look his way, perhaps indicating that he wanted Robert to take her backstage. I don't know. At the end of the show, he was pointing emphatically once again, this time at Billy Fuller, who seemed both mystified and amused enough to approach the edge of the stage and shake the man's hand while glancing with amusement and confusion to Justin Adams, who could only shrug.
"Whole Lotta Love" closed the show and featured a "Spoonful" introduction before the "Delta blues" slow beginning. The crowd erupted and Plant made them repeat the "wanna whole lotta love" refrain not just four times, but six or seven. The middle section now includes Theremin-like sounds produced not by Skin but by John Baggott, as well as an extensive bongo performance from Adams before returning to that incredible riff of all riffs. This song predictably got the greatest reaction of the night, and I must confess that I will probably never tire of it. All in all, a fantastic show - worth the 13-hour drive from southwestern New York.
I was hardly even disturbed by the woman who had vomited directly behind me between the opening band and Plant's performance. It was, however, a very close call. I had to be very careful where I placed my feet. The only other obstacle to having a better time was the guy who believed he was Robert Plant's illegitimate son and wore his blond hair in as Plant-like a way as he could manage, just to prove his point. Little Bobby Junior was not so little - in the immediate vicinity, he was the only one taller than me, and of course happened to be standing almost directly in front of me. Eventually - aided by the movement of the crowd to avoid the vomit - I was able to position myself slightly to his right, and spent most of the evening in a third-row center position.
That's about it, folks. I could tell you about my drive and about a few times where I walked into a gas station carrying a map, eliciting a response of "y'all is lost, ain'tcha?" but I won't.
Wednesday, March 23, 2005
Off The Road
For anyone who may be interested, here's a fairly complete setlist of what was played Monday evening. The sequence is probably incorrect, but the beginning and ending is fairly accurate. I'll write up a little review in the next couple days so it can be ignored.
No Quarter (Houses of the Holy)
Shine It All Around (Mighty Rearranger)
Black Dog (fourth album)
Freedom Fries (Mighty Rearranger)
Let The Four Winds Blow (Mighty Rearranger)
Morning Dew (Dreamland)
Heartbreaker (II)
Tin Pan Valley (Mighty Rearranger)
That's The Way (III)
If I Were A Carpenter (Fate of Nations)
Tall Cool One (Now and Zen)
Babe I'm Gonna Leave You (I)
When The Levee Breaks (fourth)
Encores:
The Enchanter (Mighty Rearranger)
Whole Lotta Love (II)
Saturday, March 19, 2005
Southern Man
So with careful consideration...
Alright, so it was a spur of the moment decision. I'm going to Myrtle Beach, South Carolina instead. It's a few hundred more miles, but I figure it might be a more relaxing drive. I'm going to leave sometime tomorrow and probably get a hotel somewhere fairly close (within a hundred miles or so) and wait outside like the crazed fan I am to get in as early as I can (it's a general admission show at the House of Blues). Not sure if anyone is going with me at this point. I got two tickets just in case.
Should be interesting. I do think Robert will be touring later this year, but it looks like it may be a co-headlining slot with Jeff Beck. In the interest of seeing as long a show as possible, I am going to see him when he's the main man on the bill. A band called Love Drug will be opening the MB show.
That's it for now.
Friday, March 18, 2005
Hittin' the Board for the Lord
"...other members of the King of Kings Skateboard Ministries team are quick to say that they do not skate for adulation or even for the thrill of catching big air. They skate for Jesus."
"Mr. Palau is so convinced of skateboarding's effectiveness in youth ministry that he said he suspected that Jesus himself would be a skater if he walked the earth today. "Yeah, I mean, he was young; I think he'd get on a skateboard and go for it," Mr. Palau said. "I know St. Paul would.""
"...but I get to ride with guys who are stoked on Jesus."
If you're ignorant like me, you watched Saved! and thought the whole skateboarding thing was a joke with little basis in reality. That would be wrong.
I suppose I shouldn't be surprised. If they can attempt to co-opt rock music, then skateboarding would be another step in the same direction.
I laughed through the whole thing. Enjoy.
Thursday, March 17, 2005
Funny
It's along the same line as the people who send all the AOL discs they get back to the company.
Did anyone see that Daily Show episode where they interviewed the email spammer and put his private email address up on the screen?
March 17
Will head over to Steve's BYOB St. Patrick's Day festivities in a few hours. I may get some dinner with Laura, Randy, and Matt first. Thom is scheduled to join us at some point. The party at Steve's seems to be merely a prelude to a walk downtown for what promises to be a crowded and drunken mob. Not sure I'm up for that. I will probably be one of very, very few people in classes tomorrow, since it is the last day before Spring Break.
It remains to be seen if I'll have a computer here over that time. Things would be immeasurably easier for me if I did, but I have to be realistic about how much work I'm actually going to be doing while Kristen is visiting.
I might have some interesting stories tomorrow.
Wednesday, March 16, 2005
Venturing To Kennedy This Evening
And I'll be stopping at home to pick up a green shirt to wear to tomorrow night's St. Patrick's Day shindig at Steve's place.
Drilling For Oil in the Arctic Wildlife Refuge
Krugman Column: The $600 Billion Dollar Man
Check it out.
Yes, Even More Pictures
Deanna appears in the first picture with Thom and I. Deanna is in my 1960s class. When I asked her how my presentation went, she said I did well. When I pressed her to tell me what she really thought, she replied with a sigh..."well, you'll never be a teacher. You might be able to be a professor though, because you can be a professor without knowing how to teach. You just need to know what you're talking about." I'm unqualified to be a teacher because of my mumbling and lack of eye contact during the presentation, it seems. I do fairly well with eye contact in one-on-one situations and in small groups, but she's right about my performance during the presentation.
One more career I can cross off the list, eh?
Monday, March 14, 2005
More Pictures!
I can't figure out if I just look evil in that picture, or if I look like I'm trying to be....alluring? I don't know. You decide.
Probably two more pictures to come soon.
Sunday, March 13, 2005
Falling Short of My Blogging Potential
Wednesday, March 09, 2005
Long Time
Not very much to say right now.
Friday, February 25, 2005
Public Humiliation Update
Wednesday, March 2, 2005
Williams Center Multipurpose Room
Fredonia State
Fredonia, New York 14063
Looks like I will be one of three panelists for the Democrats. The Amnesty International group will be moderating the debate. Republicans, Libertarians, and Greens will also be debating.
The topic will be United States foreign policy. Presumably, I will be somewhat prepared by then. I have two tests tomorrow/today (Friday), I'll be working Saturday and Sunday, and I have to do a half-hour presentation on Monday for my 1960s class about the impact/effects of the Cuban Missile Crisis. That's me talking for 30 minutes straight. Embarrassingly, I've never used PowerPoint or any of those other nifty programs and I don't really plan on learning them now. So I'll probably be attempting to bore my audience into submission with the low monotonic rumbling of my voice.


















