Two listens in, I would say I'm very pleased with Audioslave's sophomore effort. Standout tracks include "Yesterday to Tomorrow," the title track, the first single - "Be Yourself," "The Worm," and "Doesn't Remind Me."
Circuit City was giving away a free small poster with the purchase of the CD. The poster features the same images of the four band members as the center of the liner notes.
I also purchased the first two seasons of NewsRadio, the TV show on NBC that ran for five seasons and featured Phil Hartman and Dave Foley. I'm a big fan of the show. Many of the second season's episodes are named after Led Zeppelin albums.
Tuesday, May 31, 2005
Sunday, May 29, 2005
Aaron's Wedding
Well, after all the stress and worry, the event went off with nary a hitch. It was a genuinely lovely ceremony with the expected emotional moments. Even though it was only 65 degrees Fahrenheit or so, I was still sweating quite a bit. I'm sure I had some nice pit stains when I took my jacket off, but I didn't bother to check. Nikki was a beautiful bride of course, and Aaron was outwardly very calm. Regrettably, I cannot say that I was particularly involved in the wedding effort in the months leading up to this one, but I can say that I was pretty involved with at least the last week.
On Wednesday, we had a small bachelor party. Brett and I went golfing with Aaron at Sunset. I had the best score with a 59 over nine holes. For you non-golfers (like me) out there, that's not good. We golfed the last hole using only the putters. Then we went to the Seneca Casino in Salamanca with Turck, Aaron's brother Eric, Aaron's then-future brother-in-law Paul, Matt, and Thom. We ate at the buffet, which was very good. I provided Aaron with some seed money for gambling. Hours later, none of the eight guys had won a damn thing. I did pretty well at blackjack, but unfortunately spent too much time on the slots. After the casino, we went back to Brett's (The Studio) for a fire and some music. By this time, there was only Matt, Thom, me, Brett, Turck, and Aaron left. Aaron stayed until about 3am. He seemed to have had a good time, despite our luck at gambling.
Thursday was the rehearsal dinner, which was at the Marvin House and was very nice. I met most of the wedding party that I hadn't up to that point. Chrissy and Keah were Nikki's friends from California that she had met at Anderson University in Indiana (Christian school). Both girls were very nice. There was at least a glimmer of interest in conversation when it was revealed that Keah is a Zeppelin fan. However, shortly afterward I was brought back to earth during a conversation about Colorado when she mentioned that Colorado Springs is where 'Focus on the Family' is based. I was quickly reminded who I was talking to. Focus on the Family is the foundation set up by James Dobson (of 'SpongeBob is gay' - and other idiotic pronouncements - infamy). I suppose I could have mentioned that it's also where I had some fantastic passionate sex with my girlfriend at the time, with a lovely view of Pike's Peak out our window. However, I decided to be civil.
Friday, I drove to Cuff's Formal Wear in Erie because Aaron's father Greg's tux had pants that were about three inches too short and his shoes were too small. I made up a map at Aaron's house for the route from the church to the reception, and then Aaron and I went to dinner. After a Market Fresh sandwich, we went to the Legion in Frewsburg to set up for the reception. I drove Aaron back to his apartment and then went home to finalize my Best Man speech.
I had been working on the speech in my head for months but I hadn't actually written anything down. The Best Man's Handbook that Wendy sent me helped me to synthesize my ideas into a semi-coherent 2.5 page speech that looked to draw some laughs and also to convey my sincere feelings. I finished typing it up around 3:30am.
I was pretty nervous the whole time leading up to the wedding. I went to the mall, purchased a gift, and had it wrapped. I had many opportunities before to buy a gift, but I hadn't really found anything I liked. I settled on a small chest with three photo albums inside. I figure married people can never have enough photo albums, right? I went to Aaron's house and took him to the church. We changed into our tuxedos and got ready for pictures, which were being taken by Aaron's friend Yoo Rok from RIT. My responsibilities included hanging onto the ring as well as lighting the candles in the windows and the candelabras on the altar.
The receiving line after the ceremony probably took longer than the ceremony itself; there were over 200 people there for the wedding. It's always nice when people greet the bride and groom warmly and then just stare at you and keep walking. Even nicer is when the line stops and you're stuck across from someone you know not at all and you just stare at each other awkwardly.
Sorry this post is so disjointed. I'm typing things as I remember them. I've been in three weddings now and things always seem to go by in kind of a blur. Basically, everything was very nice and very well done. I was nervous about the speech I was going to have to give, so I was somewhat preoccupied during the time after the ceremony because I was worrying about that.
Anyway, the speech went surprisingly well. It helped that they had a microphone for me, and I noticed the DJ turned me up about three times. I got quite a few laughs and an overall very positive reaction from everyone who commented.
The reception was dry, as I may have mentioned earlier. This did not preclude a lot of dancing. I think Al and Barb, Nikki's parents, were the cutest couple to watch dance. Al was tearing up the floor. I always enjoy seeing older couples having fun with each other.
Keah dragged me onto the floor for a dance, but after brief consultation we both headed to the bar, where I had the unique opportunity to buy a drink (a Madori Sour - I have no idea if I'm spelling that right) for a pastor's daughter (she is apparently a youth pastor going for her Master's Degree in Divinity). I had a Tom Collins. I didn't want a White Russian right then and I really don't know drinks very well. I ordered what came to my mind first. A Tom Collins is what Holden orders in the hotel bar in Catcher in the Rye. Anyway, she seemed like she was a fun person, if somewhat misguided in her thinking.
The reception wound down about 11 or so. The DJ, who was supposed to have "The Rain Song" because it is Aaron's favorite Zeppelin song, could not produce it. He had only the fourth album, which 25 million other people have as well. And he had "That's the Way" because it's on the Almost Famous soundtrack. Lame. I requested "Going to California" but it was not played. I was disappointed.
I'm at work, so I think that's all I'll write for now. It was a good time. It's weird to have yet another friend married. If this trend continues, we single people will soon be in the minority. Odd.
On Wednesday, we had a small bachelor party. Brett and I went golfing with Aaron at Sunset. I had the best score with a 59 over nine holes. For you non-golfers (like me) out there, that's not good. We golfed the last hole using only the putters. Then we went to the Seneca Casino in Salamanca with Turck, Aaron's brother Eric, Aaron's then-future brother-in-law Paul, Matt, and Thom. We ate at the buffet, which was very good. I provided Aaron with some seed money for gambling. Hours later, none of the eight guys had won a damn thing. I did pretty well at blackjack, but unfortunately spent too much time on the slots. After the casino, we went back to Brett's (The Studio) for a fire and some music. By this time, there was only Matt, Thom, me, Brett, Turck, and Aaron left. Aaron stayed until about 3am. He seemed to have had a good time, despite our luck at gambling.
Thursday was the rehearsal dinner, which was at the Marvin House and was very nice. I met most of the wedding party that I hadn't up to that point. Chrissy and Keah were Nikki's friends from California that she had met at Anderson University in Indiana (Christian school). Both girls were very nice. There was at least a glimmer of interest in conversation when it was revealed that Keah is a Zeppelin fan. However, shortly afterward I was brought back to earth during a conversation about Colorado when she mentioned that Colorado Springs is where 'Focus on the Family' is based. I was quickly reminded who I was talking to. Focus on the Family is the foundation set up by James Dobson (of 'SpongeBob is gay' - and other idiotic pronouncements - infamy). I suppose I could have mentioned that it's also where I had some fantastic passionate sex with my girlfriend at the time, with a lovely view of Pike's Peak out our window. However, I decided to be civil.
Friday, I drove to Cuff's Formal Wear in Erie because Aaron's father Greg's tux had pants that were about three inches too short and his shoes were too small. I made up a map at Aaron's house for the route from the church to the reception, and then Aaron and I went to dinner. After a Market Fresh sandwich, we went to the Legion in Frewsburg to set up for the reception. I drove Aaron back to his apartment and then went home to finalize my Best Man speech.
I had been working on the speech in my head for months but I hadn't actually written anything down. The Best Man's Handbook that Wendy sent me helped me to synthesize my ideas into a semi-coherent 2.5 page speech that looked to draw some laughs and also to convey my sincere feelings. I finished typing it up around 3:30am.
I was pretty nervous the whole time leading up to the wedding. I went to the mall, purchased a gift, and had it wrapped. I had many opportunities before to buy a gift, but I hadn't really found anything I liked. I settled on a small chest with three photo albums inside. I figure married people can never have enough photo albums, right? I went to Aaron's house and took him to the church. We changed into our tuxedos and got ready for pictures, which were being taken by Aaron's friend Yoo Rok from RIT. My responsibilities included hanging onto the ring as well as lighting the candles in the windows and the candelabras on the altar.
The receiving line after the ceremony probably took longer than the ceremony itself; there were over 200 people there for the wedding. It's always nice when people greet the bride and groom warmly and then just stare at you and keep walking. Even nicer is when the line stops and you're stuck across from someone you know not at all and you just stare at each other awkwardly.
Sorry this post is so disjointed. I'm typing things as I remember them. I've been in three weddings now and things always seem to go by in kind of a blur. Basically, everything was very nice and very well done. I was nervous about the speech I was going to have to give, so I was somewhat preoccupied during the time after the ceremony because I was worrying about that.
Anyway, the speech went surprisingly well. It helped that they had a microphone for me, and I noticed the DJ turned me up about three times. I got quite a few laughs and an overall very positive reaction from everyone who commented.
The reception was dry, as I may have mentioned earlier. This did not preclude a lot of dancing. I think Al and Barb, Nikki's parents, were the cutest couple to watch dance. Al was tearing up the floor. I always enjoy seeing older couples having fun with each other.
Keah dragged me onto the floor for a dance, but after brief consultation we both headed to the bar, where I had the unique opportunity to buy a drink (a Madori Sour - I have no idea if I'm spelling that right) for a pastor's daughter (she is apparently a youth pastor going for her Master's Degree in Divinity). I had a Tom Collins. I didn't want a White Russian right then and I really don't know drinks very well. I ordered what came to my mind first. A Tom Collins is what Holden orders in the hotel bar in Catcher in the Rye. Anyway, she seemed like she was a fun person, if somewhat misguided in her thinking.
The reception wound down about 11 or so. The DJ, who was supposed to have "The Rain Song" because it is Aaron's favorite Zeppelin song, could not produce it. He had only the fourth album, which 25 million other people have as well. And he had "That's the Way" because it's on the Almost Famous soundtrack. Lame. I requested "Going to California" but it was not played. I was disappointed.
I'm at work, so I think that's all I'll write for now. It was a good time. It's weird to have yet another friend married. If this trend continues, we single people will soon be in the minority. Odd.
Link to Thom's Recent Post
Rather than copy the entire post, I'll just link you to Thom's blog. This post shows a portion of activities last Monday at the Good Time Saloon in Lakewood. We found some humor in the seating choice made by some members of a particular ethnic group. Before anyone gets upset, it was all in good fun.
Sunday, May 22, 2005
Grades are In
Medieval History II = B
Science Fiction = A-
Media & Politics = B+
The 1960s = A
The Cold War = A
Cumulative = 3.6
Eerily enough, I received exactly the same grades as last semester in exactly the same disciplines (two As and a B in the History courses, an A- in English, and a B+ in Political Science) even though it seems like this semester was much smoother. I'm not going to complain though, since I got so lucky with the grades last time. I'm sure next Fall will be another adventure.
Science Fiction = A-
Media & Politics = B+
The 1960s = A
The Cold War = A
Cumulative = 3.6
Eerily enough, I received exactly the same grades as last semester in exactly the same disciplines (two As and a B in the History courses, an A- in English, and a B+ in Political Science) even though it seems like this semester was much smoother. I'm not going to complain though, since I got so lucky with the grades last time. I'm sure next Fall will be another adventure.
Dave Grohl Comments on New Album, Draws Comparisons to Zeppelin's Physical Graffiti
Just what the title says. Check out the link.
Rick Santorum Feature in NYT Magazine
A long article profiling the obnoxious US Senator from Pennsylvania who once equated homosexual sex with bestiality. If he hangs onto his senate seat in 2006, and possibly even if he doesn't, he may be a presidential candidate for 2008. Santorum is among the proponents of blurring the line between church and state.
Saturday, May 21, 2005
Miscellaneous
Thanks to Wendy for sending The Best Man's Handbook to me in the mail. I received it today, and it may come in handy. I have yet to write the material for my toast on Saturday.
I noticed two days ago that The Rolling Stones will feature two opening acts of interest to some - Pearl Jam and The Tragically Hip. I doubt that I'll be shelling out the money to see either of those shows, but it would be cool. I'm not the biggest Stones fan, but I'm sure that collectively they'll both be great shows. The Hip actually opened for Jimmy Page and Robert Plant during a portion of the 1995 tour.
I should be back online on a more regular basis fairly soon - I'm going to be ordering a new Dell next week. Now all I need is a computer desk.
That's all for now. I'm at work now. Looks like I'll be going to Turck's for a bonfire this evening. Should be fun.
I noticed two days ago that The Rolling Stones will feature two opening acts of interest to some - Pearl Jam and The Tragically Hip. I doubt that I'll be shelling out the money to see either of those shows, but it would be cool. I'm not the biggest Stones fan, but I'm sure that collectively they'll both be great shows. The Hip actually opened for Jimmy Page and Robert Plant during a portion of the 1995 tour.
I should be back online on a more regular basis fairly soon - I'm going to be ordering a new Dell next week. Now all I need is a computer desk.
That's all for now. I'm at work now. Looks like I'll be going to Turck's for a bonfire this evening. Should be fun.
Saturday, May 14, 2005
Couldn't Have Written It Better Myself
New York Times columnist Maureen Dowd is off until July 6, but Matt Miller takes over and does a fine job, writing about the trend of putting the US wars on credit, to be paid...someday. Very funny take on things. Worth a read.
Warning: Infrequent Updates Ahead
My friend and roommate Aaron, who will be married in two weeks' time, moved his stuff out of our apartment in Fredonia yesterday. Translation: I have no computer, except for the one at Sears that I'm using now and the one at my house that is slower than a glacier. Also - I have no microwave, garbage cans, dishes, things to put under my home theater speakers, et cetera. I was successful in retaining the nice couch and rust-orange chair, as well as the television that cannot reproduce the color red or any variation thereof. Nice.
Anyway, until I get a new computer and desk, I'm somewhat at a loss for blogging opportunities or online time in general. That means I'm likely to fall further behind in the quest for Bonus Points at The Irreverent Marsupial and that I will be less-informed than I typically like to be. A tragedy, to be sure.
I'll be working on preparations for my Best Man toast at the reception and also for the most tame bachelor party you can probably imagine.
School is over, for better or worse. I don't think the results will be quite on par with last semester, but we'll see. I did not expect to do as well as I did last time, so maybe that bodes well. Efforts to contact me should be directed to my parents' home and my Hotmail address.
Upcoming plans aside from the wedding ceremony which I'm sure will be very nice include the Robert Plant shows in Philly and Toronto in June and early July.
Turns out that Matt will be unable to move in for the Fall semester, so I am in search of a roommate once again. All the luck in the world, eh?
Anyway, until I get a new computer and desk, I'm somewhat at a loss for blogging opportunities or online time in general. That means I'm likely to fall further behind in the quest for Bonus Points at The Irreverent Marsupial and that I will be less-informed than I typically like to be. A tragedy, to be sure.
I'll be working on preparations for my Best Man toast at the reception and also for the most tame bachelor party you can probably imagine.
School is over, for better or worse. I don't think the results will be quite on par with last semester, but we'll see. I did not expect to do as well as I did last time, so maybe that bodes well. Efforts to contact me should be directed to my parents' home and my Hotmail address.
Upcoming plans aside from the wedding ceremony which I'm sure will be very nice include the Robert Plant shows in Philly and Toronto in June and early July.
Turns out that Matt will be unable to move in for the Fall semester, so I am in search of a roommate once again. All the luck in the world, eh?
Late Night Robert
Robert Plant appeared on Late Night with Conan O'Brien last evening, and Late Show with David Letterman on Monday night. Friday night's performance was definitely superior - the band produced a very funked-up arrangement of "Shine It All Around." The Strange Sensation is not quite intact for these television appearances however; guitarist Skin Tyson is in the UK, awaiting a new addition to his family. David Rhodes is substituting. Rhodes has worked with Peter Gabriel and Roy Orbison. I'm sure he's better on material he's written and practiced, but his solo on Monday was most disappointing. Friday's was a bit better, but they were both somewhat jagged and stilted - not smooth or fluid.
The Letterman performance came after a mere nineteen commercial breaks (okay - it was only four). Robert seemed to be a bit unnerved. The show returned after yet another commercial and there was Robert, jamming with friend Paul Shaffer and the CBS orchestra on a rendition of "Treat Her Right." Did the cameras catch this great impromptu moment? Sure - about 15 seconds of it. Thanks so much for that.
James Spader was not the featured guest, as scheduled, for Friday's show. Instead, Quentin Tarantino took up a big chunk of time talking about directing an episode of CSI. Fascinating! Not.
So there was only time for Plant to do the song and then the show was over. Apparently the lyrics to "Tin Pan Valley" hold somewhat true: "I'm turning down the talk shows, the humour, and the couch..." Maybe he's using them to showcase the new single but is not consenting to dumb questions about what it was like to dump televisions out of windows thirty years ago.
The Letterman performance came after a mere nineteen commercial breaks (okay - it was only four). Robert seemed to be a bit unnerved. The show returned after yet another commercial and there was Robert, jamming with friend Paul Shaffer and the CBS orchestra on a rendition of "Treat Her Right." Did the cameras catch this great impromptu moment? Sure - about 15 seconds of it. Thanks so much for that.
James Spader was not the featured guest, as scheduled, for Friday's show. Instead, Quentin Tarantino took up a big chunk of time talking about directing an episode of CSI. Fascinating! Not.
So there was only time for Plant to do the song and then the show was over. Apparently the lyrics to "Tin Pan Valley" hold somewhat true: "I'm turning down the talk shows, the humour, and the couch..." Maybe he's using them to showcase the new single but is not consenting to dumb questions about what it was like to dump televisions out of windows thirty years ago.
Thursday, May 12, 2005
Monday, May 09, 2005
My Day
I had a final in my Cold War class at the lovely time of 8:30am today, which would have been good enough on its own. However, I also had a 1960s paper due at 4pm. I had 2.5 pages typed, and the paper was supposedly a 15-page minimum, although there was no indication of that on the course syllabus. I tried to work on it last night, but I wasn't really getting anything done. I was tired, and laid down on the couch at about 1am, setting the alarm for 3am. Well, the alarm went off and predictably, I wasn't ready to get up. I sat at the computer and got maybe a paragraph written. I reset the alarm for 4am. Then 5:30. Then 5:45. Then I started to give up, but not entirely. I set the alarm for 6:45, then 7:30. I didn't actually get up and shower until 7:45am. I walked into the final exam at 8:28am, walked out of the room at about 9:55, and walked up to the computer lab with the idea that if everyone around me was working, then maybe I would work too. However, I didn't actually begin then. I logged on, set up my papers around me, put the disk in the computer, and then strolled over to Reed Library for a blueberry muffin and a coffee. I ran into my friend Dan Lukasiewicz ("Luka") from both my Medieval and 1960s classes. We walked into the library and talked for a bit while I ate my breakfast and waited for the coffee to cool. Dan intimated that he had no expectation that Dr. Filipink would actually read a word of our papers. He said Filipink was just tossing the papers in a box in his office. Luka had already handed in his paper, being the conscientious student that he apparently is.
Well, I didn't really start working until 11am. Then at 11:40, I went back to the apartment, picked up the Plant album from my mailbox, used the facilities, and came back in a roundabout way after previewing a few tracks. By 12:15, I was back in the computer lab.
Anyway, somehow I churned out 11.5 pages in about 4.5 hours and was printing my hastily-designed lame cover page at about 3:56 and handing the paper to the professor at 3:58pm. It may be crap, or it may be good. Not sure what he'll think of it. In any event, it's done. I have two finals to go - Media/Politics tomorrow and Medieval History on Thursday, and then the Media and Politics paper due on Friday the 13th.
I'm kind of shot at this point from waking up, sleeping, waking up, stressing out, et cetera. However, I'm going to try to make it down to Brett-Dogg's abode to view Plant's performance on Letterman tonight, since I don't actually have cable or any other reception here. Dedication.
Well, I didn't really start working until 11am. Then at 11:40, I went back to the apartment, picked up the Plant album from my mailbox, used the facilities, and came back in a roundabout way after previewing a few tracks. By 12:15, I was back in the computer lab.
Anyway, somehow I churned out 11.5 pages in about 4.5 hours and was printing my hastily-designed lame cover page at about 3:56 and handing the paper to the professor at 3:58pm. It may be crap, or it may be good. Not sure what he'll think of it. In any event, it's done. I have two finals to go - Media/Politics tomorrow and Medieval History on Thursday, and then the Media and Politics paper due on Friday the 13th.
I'm kind of shot at this point from waking up, sleeping, waking up, stressing out, et cetera. However, I'm going to try to make it down to Brett-Dogg's abode to view Plant's performance on Letterman tonight, since I don't actually have cable or any other reception here. Dedication.
The Mighty Rearranger Review
Note: Robert Plant will appear on the David Letterman show tonight, May 9. Will Ferrell is the featured guest.
On Friday, Robert will be on Conan O'Brien's show. James Spader is the featured guest.
I received my preordered copy of this album today from Amazon's UK site, where it was released May 2. It will go on sale tomorrow here in the United States. My pressing contains a "hidden track" after "Brother Ray," which is the 'rave mix' of the first single, "Shine It All Around."
All I can say is that the album is very, very good. I'm not sure I can gush over it like some of the critics have, specifically the ones that say it is his greatest work since mid-period Zeppelin, or since Physical Graffiti, mainly because I love Presence and In Through the Out Door. However, I can safely say that it is better than Dreamland and it approaches the greatness of 1993's Fate of Nations. I don't necessarily like to compare works by the same artist. It's really purely subjective. I'm sure that 1983's Principle of Moments was very good for its time, but it may not possess the same resonance today as it might have then, especially among younger listeners. I guess I can say that virtually all Zeppelin sounds timeless to me, while some of the group's former members have produced albums that now sound somewhat dated, even if I can still appreciate them. On some songs, Mighty Rearranger has been infused with some electronica in addition to its rock and African rhythms, and in time the electronica may sound to us the same way 80s synthesizers sound to us today. For an album of this time, it's really good. Lyrically, I believe it's just as good as his best, on Fate of Nations, if not better.
"Another Tribe" starts the album. If you read the Rolling Stone Q&A that I posted yesterday, you'll recall that Plant calls this his best latter-day vocal performance. I'm not sure I would agree with that, but it's a good song. The vocals are definitely mixed to the front. The main instrument is the percussion, with some string accompaniment. The lyrics may refer to tolerance for other people's beliefs and/or culture:
"I think there may be a war in heaven
Paradise beneath the smoking gun
As every saint and small town saviour
Race to justify their chosen one
I wonder, as our world collides
I want to reach out there
Across the great divide"
"Shine It All Around" is the first single, and it's been out for a while. It features the big, pronounced drum beat and great bass line. The vocals are echoed in some places, and the guitar is nice and crunchy. This is a great pop song, and probably the wisest choice for the first single. The lyrics pertain to famine relief ("break a little bread now, share it all around..."). There's a nice short solo about three minutes in.
I've already posted the lyrics to "Freedom Fries" but the Myrtle Beach show was the only time I had heard the song until now. It's a pretty funky number, North African drum intro with the vocals coming in next, and then the bass and guitar. The lyrics are just great to this one. There's an excellent guitar solo on the "outro." Here are some of the lyrics again:
"Billy the Kid told the Prince of Thieves,
A little give and take to satisfy my needs
You can give me lots but I'll take some more
I got my eyes on your treasure beneath the desert floor
Freedom fries and burns and scars
The liberator goes too far"
"Tin Pan Valley" is next. This song has an electronica-flavored introduction with almost whispered vocals, bass and drum accompaniment. There's just a great rhythm to this track with excellent phrasing. There's a degree of irony to the lyrics given Mr. Plant's appearance on two late-night shows this week...It is not until Robert yells, "Like THIS!" that the guitar really kicks in and he unleashes some of those trademark wails. Then the understated vocals return for another round until..."like THIS" everything explodes again.
Again, some lyrics:
"I come from Tin Pan Valley and I'm moving right along
I live on former glory, so long ago and gone
I'm turning down the talk shows, the humour and the couch
I'm moving up to higher ground, I've found a new way out.
There's parasols and barbeques and loungers by the pool
The late night conversations filled with 20th century cool
My peers may flirt with cabaret, some fake the rebel yell
Me - I'm moving up to higher ground, I must escape this hell..."
Next up is a really nice acoustic ballad called "All The King's Horses" that features some great picking from Skin Tyson. There's an electric guitar in the background. Sounds like Plant's vocals are doubled on the repetition of the song's title in a couple spots, which has a nice effect. There's a very fluid solo in the middle portion. This is a good campfire kind of love song.
"All the Kings horses, all the Kings men
I'll weave a circle round the sun
Throw down my arms and give my all
I'll be your soldier of love"
Track six is the previously reviewed "The Enchanter" that has a very sensual groove to it. The drum and bass work very well together, and the guitar is serpentine in nature. There are some electronic effects, but they're in the background and do not compete with the huge backbeat and swirling guitar. If it was up to me, I would have made this song the first single. Perhaps it will be next. There is what some have described as a "rave-like fade out," and this is true to a certain extent, but I think it works within the song. In addition to the effects, there's Justin Adams on the bongo and a simple keyboard line repeated over again with a little bass. This is one of the best tracks, and it's undoubtedly about a provocative female. If the last song was wholesome, this one hints at the passion underneath.
"Takamba" follows, and this begins with some muted guitar and some clapping before the rest of the band enters and blows everything up. This has one of the best introductions. Plant declares, "Sing a song of freedom, write it in the sky. Pocket full of secrets, belly-full of lies...tricks and mirrors, sleight of hand - promised land." The lyrics look to be a bash of Prime Minister Blair's decision to lead the UK to war with the US in Iraq. A very strong song.
"Dancing in Heaven" sounds like a corny title, but this song is really quite good. Prominently featured is Skin's acoustic guitar once again, gently supported by the rest of the band and strong vocals from Robert. Nice solo, likely from Skin - and good bass work from Billy Fuller. There's a nice groove to this track.
"Somebody Knocking" - if you read my blog regularly, you'll realize that I already panned this song more than a month ago. I've tried to listen to it since then, and while it has grown on me a bit, it's still not my favorite. In the context of the album, it fits well enough. The instrumentation is somewhat rambling, but Plant's vocals definitely sound better on the CD than they did in the mp3 I've had for weeks now. The lyrics on this song are the weakest of the whole album, mostly blues cliches and variations on that theme set incongrously to North African instrumentation.
"Let the Four Winds Blow" made its live debut at the Myrtle Beach show I saw in late March. This track is similar to "Tin Pan Valley" in a way, there is a good rhythm and groove coupled with great phrasing on Plant's part. The vocals may be stronger on this track. The whole song has a kind of sauntering stride to it, a mixture of quiet confidence and with just a little bit of aggression that removes any doubt that the song rocks. More great work from the whole band and standout guitar from both Skin and Justin Adams. There is quite a bit that sounds similar to "If I Ever Get Lucky" from Dreamland and from Justin Adams' solo CD, Desert Road.
"Mighty Rearranger": The title track has a lot of the swing of the last track. The vocals are mixed a bit oddly here, with the effect of having them sound somewhat hollow with a bit of echo. The song sounds a bit tinny before the rhythm section steps in, and even then, there's something not quite right. The live version from Texas I've heard sounded superior to the album version. That said, there's some nice harmonica here from Plant.
"Brother Ray" is not much of a song. It's more like a piece of a jam that was somewhat obviously tacked on to the album as an afterthought, or as a hastily-arranged tribute to Ray Charles, or both. It sounds like everyone in the band picked up whatever instrument happened to be around them and started playing. There are no actual lyrics, just a series of "ooh" and "ahhh, yeah" repetitions from Plant. The whole thing lasts just over a minute before a few seconds of silence and then the remix of "Shine it All Around." I've heard the bonus track on the Japanese pressing, "Red, White, and Blue" and would have preferred that, either in place of the remix or "Brother Ray." I think RWB is really good. Remixes are for singles, not for albums, in my opinion.
All in all, a very solid effort for Robert Plant. I can't wait to see him again in Philly and Toronto this summer.
Now go out and buy the album, if you haven't already.
On Friday, Robert will be on Conan O'Brien's show. James Spader is the featured guest.
I received my preordered copy of this album today from Amazon's UK site, where it was released May 2. It will go on sale tomorrow here in the United States. My pressing contains a "hidden track" after "Brother Ray," which is the 'rave mix' of the first single, "Shine It All Around."
All I can say is that the album is very, very good. I'm not sure I can gush over it like some of the critics have, specifically the ones that say it is his greatest work since mid-period Zeppelin, or since Physical Graffiti, mainly because I love Presence and In Through the Out Door. However, I can safely say that it is better than Dreamland and it approaches the greatness of 1993's Fate of Nations. I don't necessarily like to compare works by the same artist. It's really purely subjective. I'm sure that 1983's Principle of Moments was very good for its time, but it may not possess the same resonance today as it might have then, especially among younger listeners. I guess I can say that virtually all Zeppelin sounds timeless to me, while some of the group's former members have produced albums that now sound somewhat dated, even if I can still appreciate them. On some songs, Mighty Rearranger has been infused with some electronica in addition to its rock and African rhythms, and in time the electronica may sound to us the same way 80s synthesizers sound to us today. For an album of this time, it's really good. Lyrically, I believe it's just as good as his best, on Fate of Nations, if not better.
"Another Tribe" starts the album. If you read the Rolling Stone Q&A that I posted yesterday, you'll recall that Plant calls this his best latter-day vocal performance. I'm not sure I would agree with that, but it's a good song. The vocals are definitely mixed to the front. The main instrument is the percussion, with some string accompaniment. The lyrics may refer to tolerance for other people's beliefs and/or culture:
"I think there may be a war in heaven
Paradise beneath the smoking gun
As every saint and small town saviour
Race to justify their chosen one
I wonder, as our world collides
I want to reach out there
Across the great divide"
"Shine It All Around" is the first single, and it's been out for a while. It features the big, pronounced drum beat and great bass line. The vocals are echoed in some places, and the guitar is nice and crunchy. This is a great pop song, and probably the wisest choice for the first single. The lyrics pertain to famine relief ("break a little bread now, share it all around..."). There's a nice short solo about three minutes in.
I've already posted the lyrics to "Freedom Fries" but the Myrtle Beach show was the only time I had heard the song until now. It's a pretty funky number, North African drum intro with the vocals coming in next, and then the bass and guitar. The lyrics are just great to this one. There's an excellent guitar solo on the "outro." Here are some of the lyrics again:
"Billy the Kid told the Prince of Thieves,
A little give and take to satisfy my needs
You can give me lots but I'll take some more
I got my eyes on your treasure beneath the desert floor
Freedom fries and burns and scars
The liberator goes too far"
"Tin Pan Valley" is next. This song has an electronica-flavored introduction with almost whispered vocals, bass and drum accompaniment. There's just a great rhythm to this track with excellent phrasing. There's a degree of irony to the lyrics given Mr. Plant's appearance on two late-night shows this week...It is not until Robert yells, "Like THIS!" that the guitar really kicks in and he unleashes some of those trademark wails. Then the understated vocals return for another round until..."like THIS" everything explodes again.
Again, some lyrics:
"I come from Tin Pan Valley and I'm moving right along
I live on former glory, so long ago and gone
I'm turning down the talk shows, the humour and the couch
I'm moving up to higher ground, I've found a new way out.
There's parasols and barbeques and loungers by the pool
The late night conversations filled with 20th century cool
My peers may flirt with cabaret, some fake the rebel yell
Me - I'm moving up to higher ground, I must escape this hell..."
Next up is a really nice acoustic ballad called "All The King's Horses" that features some great picking from Skin Tyson. There's an electric guitar in the background. Sounds like Plant's vocals are doubled on the repetition of the song's title in a couple spots, which has a nice effect. There's a very fluid solo in the middle portion. This is a good campfire kind of love song.
"All the Kings horses, all the Kings men
I'll weave a circle round the sun
Throw down my arms and give my all
I'll be your soldier of love"
Track six is the previously reviewed "The Enchanter" that has a very sensual groove to it. The drum and bass work very well together, and the guitar is serpentine in nature. There are some electronic effects, but they're in the background and do not compete with the huge backbeat and swirling guitar. If it was up to me, I would have made this song the first single. Perhaps it will be next. There is what some have described as a "rave-like fade out," and this is true to a certain extent, but I think it works within the song. In addition to the effects, there's Justin Adams on the bongo and a simple keyboard line repeated over again with a little bass. This is one of the best tracks, and it's undoubtedly about a provocative female. If the last song was wholesome, this one hints at the passion underneath.
"Takamba" follows, and this begins with some muted guitar and some clapping before the rest of the band enters and blows everything up. This has one of the best introductions. Plant declares, "Sing a song of freedom, write it in the sky. Pocket full of secrets, belly-full of lies...tricks and mirrors, sleight of hand - promised land." The lyrics look to be a bash of Prime Minister Blair's decision to lead the UK to war with the US in Iraq. A very strong song.
"Dancing in Heaven" sounds like a corny title, but this song is really quite good. Prominently featured is Skin's acoustic guitar once again, gently supported by the rest of the band and strong vocals from Robert. Nice solo, likely from Skin - and good bass work from Billy Fuller. There's a nice groove to this track.
"Somebody Knocking" - if you read my blog regularly, you'll realize that I already panned this song more than a month ago. I've tried to listen to it since then, and while it has grown on me a bit, it's still not my favorite. In the context of the album, it fits well enough. The instrumentation is somewhat rambling, but Plant's vocals definitely sound better on the CD than they did in the mp3 I've had for weeks now. The lyrics on this song are the weakest of the whole album, mostly blues cliches and variations on that theme set incongrously to North African instrumentation.
"Let the Four Winds Blow" made its live debut at the Myrtle Beach show I saw in late March. This track is similar to "Tin Pan Valley" in a way, there is a good rhythm and groove coupled with great phrasing on Plant's part. The vocals may be stronger on this track. The whole song has a kind of sauntering stride to it, a mixture of quiet confidence and with just a little bit of aggression that removes any doubt that the song rocks. More great work from the whole band and standout guitar from both Skin and Justin Adams. There is quite a bit that sounds similar to "If I Ever Get Lucky" from Dreamland and from Justin Adams' solo CD, Desert Road.
"Mighty Rearranger": The title track has a lot of the swing of the last track. The vocals are mixed a bit oddly here, with the effect of having them sound somewhat hollow with a bit of echo. The song sounds a bit tinny before the rhythm section steps in, and even then, there's something not quite right. The live version from Texas I've heard sounded superior to the album version. That said, there's some nice harmonica here from Plant.
"Brother Ray" is not much of a song. It's more like a piece of a jam that was somewhat obviously tacked on to the album as an afterthought, or as a hastily-arranged tribute to Ray Charles, or both. It sounds like everyone in the band picked up whatever instrument happened to be around them and started playing. There are no actual lyrics, just a series of "ooh" and "ahhh, yeah" repetitions from Plant. The whole thing lasts just over a minute before a few seconds of silence and then the remix of "Shine it All Around." I've heard the bonus track on the Japanese pressing, "Red, White, and Blue" and would have preferred that, either in place of the remix or "Brother Ray." I think RWB is really good. Remixes are for singles, not for albums, in my opinion.
All in all, a very solid effort for Robert Plant. I can't wait to see him again in Philly and Toronto this summer.
Now go out and buy the album, if you haven't already.
Sunday, May 08, 2005
That Explains a Lot
Listening to NPR, I just heard that NASCAR still uses leaded gasoline to fuel their races, burning an estimated 100,000 gallons of the stuff in a given season. There are countless scientific studies available on the hazards of lead that indicate not only just how toxic it is, but also how damaging it can be to the brain - actually decreasing IQ.
Studies have shown that lead particles hover in the air for hours after being burned in automobiles. With the number of cars in a race, and the attendance of these huge NASCAR events, I think we can all see the conclusion I'm drawing from this. One may speculate all one wants regarding the intelligence of those that go to watch NASCAR, but one thing is for sure:
they certainly aren't any smarter when they leave.
The amusing thing about hearing the story on NPR is that they covered the story they way they would cover anything else - by capturing the ambient sounds associated with whatever they happen to be reporting. While at a race, they recorded at least a dozen "yeeeeehaaaaaaa" and "wooooooooohoooooooooo" exclamations from various race fans (the fans may have been named Jim-Bob, Bobby-Joe, Billy-Joe, Billy-Ray, or some other combination - but we know it could be hyphenated, and that's what counts).
Studies have shown that lead particles hover in the air for hours after being burned in automobiles. With the number of cars in a race, and the attendance of these huge NASCAR events, I think we can all see the conclusion I'm drawing from this. One may speculate all one wants regarding the intelligence of those that go to watch NASCAR, but one thing is for sure:
they certainly aren't any smarter when they leave.
The amusing thing about hearing the story on NPR is that they covered the story they way they would cover anything else - by capturing the ambient sounds associated with whatever they happen to be reporting. While at a race, they recorded at least a dozen "yeeeeehaaaaaaa" and "wooooooooohoooooooooo" exclamations from various race fans (the fans may have been named Jim-Bob, Bobby-Joe, Billy-Joe, Billy-Ray, or some other combination - but we know it could be hyphenated, and that's what counts).
Rolling Stone Q&A: Robert Plant
Robert brandishes his trademark wit in this highly entertaining mini-interview for Rolling Stone.
Check it out.
Check it out.
Friday, May 06, 2005
High Crimes or Misdemeanors
This article talks about the media's obsession with the Clinton sex scandal and contrasts media coverage of that chapter in our history with the recent memo uncovered by the London Times, which received very little attention in American papers. It is certainly worth reading and worth some consideration, no matter your affiliation.
While you're at it, check out:
http://www.gregpalast.com/video/palastmarch%2705.mp4
http://news.bbc.co.uk/olmedia/cta/progs/newsnight/attack22.ram
While you're at it, check out:
http://www.gregpalast.com/video/palastmarch%2705.mp4
http://news.bbc.co.uk/olmedia/cta/progs/newsnight/attack22.ram
Krugman Column on Medicare
Should be of interest to everyone, but perhaps especially for my pharmaceutically-inclined friends.
Thursday, May 05, 2005
America is Over
This is a column that appeared in the Austin Chronicle on April 29th. It lays out exactly what can/will happen to the United States as a result of our dependence on fossil fuels and the lack of effort we've made as a nation to switch to other sources of energy over the last few decades. The 1970s oil shortages were like a warning bell that the US failed to heed. It is increasingly likely that within our lifetimes, the US will be in a far different position than it has been in the last eighty years or so. We will either relinquish our 'superpower' status with grace, or we will fight to protect it, and things will get very messy. Read the column.
Wednesday, May 04, 2005
Audioslave Live at the Agora Theater in Cleveland April 24, 2005
Audioslave Setlist 04-24-05 Cleveland Agora Theater
The Bob Marley was turned low, and then off. Tim Commerford, Brad Wilk, and Tom Morello emerged from stage right. Commerford was business-like, going straight to his post at stage right. Wilk climbed atop the riser and sat behind the kit, giving a tentative kick to the bass drum. Morello engaged the crowd, smiling at the crowd reaction and raising one arm while gripping his Soul Power Fender Stratocaster with the other. The lights had not been dimmed very much. The applause was incessant. There was a pause. Where was Chris Cornell? Ah – the anticipation mounted. After perhaps five seconds, he strolled out in long-sleeved shirt and cargo pants, his arm raised in a salute to the audience, his piercing blue eyes scanning the crowd. He approached center stage, removing the wireless microphone from its stand. The band started to play. It was time to ‘set this fucker off.’
Throughout the show, I was struck by the effortless way in which Cornell could sing such vocally challenging songs and how nonchalant he appeared to be, several times singing with his one hand in the pocket of his cargo pants. Thom remarked after the concert that in his Soundgarden days, Chris had often been in his own world on stage. That was the case this night at least to a limited degree. One could see his mind was turned inward for much of the show.
The primary factor that limited the total impact of this intense show was the fact that Chris Cornell’s vocals were so very low in the mix that they were utterly drowned out many times by the powerful band behind him. Cornell seemed unaware of this; wearing earpieces in each ear that were likely vocal monitors, he was probably oblivious to the problem. However, the vocals that soared above the cacophony that often developed to his back were, it must be said, much better than the entire first Audioslave album. His voice retained all of the clarity and strength audible on Soundgarden albums that I’ve grown used to, unlike the vocals on Audioslave’s album, which apparently due to the production, made Cornell’s voice seem ragged and weak in many places.
“Your Time Has Come” (alternately referred to as “Your Time Will Come” in advertisements I’ve seen subsequently) was the first new song of the set, and was introduced as such by Chris. It is difficult to judge new songs when they’re played for the first time in a concert setting, so I will reserve judgment. I will say that although the new songs they played that night sounded different from those on the first album, they were not incongruous with the rest of their material; they seemed to fit in well. With any good band, different albums show forward progress and not stagnation, and Audioslave certainly seem to be moving ahead.
“Spoonman” was the first nod to the members’ previous work in other bands, and it received a tremendous ovation at its conclusion. All four men in the band had a turn in the spotlight during this number. Commerford proved himself more than competent on the bass solo and backing vocals. Wilk had a nice roll on the drums, and Morello showed his remarkable versatility with the solo on his sunburst Gibson Les Paul. The Soundgarden songs that Audioslave played were played in what seemed to be a cautious manner and perhaps with just a bit of hesitation. This may improve with more shows under their belts. Chris Cornell seemed like he was genuinely moved by the crowd’s reaction, looking out at specific members of the crowd and nodding his appreciation.
Tom Morello was by far the most animated of the four for the entire show, jumping on monitors and off again, striking poses, and inciting the crowd. At no point was this more visible than during the Rage Against the Machine songs. After playing the first single from Out of Exile, the band paused. Cornell announced that behind him stood the greatest rock band in the country, and then walked off the stage. The first strains of “Bulls on Parade” wafted out toward us, and the crowd went nuts. We in the front row were thrust forward toward the barricade. I remember thinking with disappointment that Cornell wasn’t going to attempt to sing the RATM songs, but I was enjoying the raw power of the instrumental version too much to care a great deal.
Then Cornell returned – walking back to the microphone as “Sleep Now in the Fire” began. This song provoked more movement from Cornell than most others; he displayed his rhythm by rocking back and forth from one leg to the other as Wilk played at a martial tempo, reciting these great lines –
“For it's the end of history
Throughout the show, I was struck by the effortless way in which Cornell could sing such vocally challenging songs and how nonchalant he appeared to be, several times singing with his one hand in the pocket of his cargo pants. Thom remarked after the concert that in his Soundgarden days, Chris had often been in his own world on stage. That was the case this night at least to a limited degree. One could see his mind was turned inward for much of the show.
The primary factor that limited the total impact of this intense show was the fact that Chris Cornell’s vocals were so very low in the mix that they were utterly drowned out many times by the powerful band behind him. Cornell seemed unaware of this; wearing earpieces in each ear that were likely vocal monitors, he was probably oblivious to the problem. However, the vocals that soared above the cacophony that often developed to his back were, it must be said, much better than the entire first Audioslave album. His voice retained all of the clarity and strength audible on Soundgarden albums that I’ve grown used to, unlike the vocals on Audioslave’s album, which apparently due to the production, made Cornell’s voice seem ragged and weak in many places.
“Your Time Has Come” (alternately referred to as “Your Time Will Come” in advertisements I’ve seen subsequently) was the first new song of the set, and was introduced as such by Chris. It is difficult to judge new songs when they’re played for the first time in a concert setting, so I will reserve judgment. I will say that although the new songs they played that night sounded different from those on the first album, they were not incongruous with the rest of their material; they seemed to fit in well. With any good band, different albums show forward progress and not stagnation, and Audioslave certainly seem to be moving ahead.
“Spoonman” was the first nod to the members’ previous work in other bands, and it received a tremendous ovation at its conclusion. All four men in the band had a turn in the spotlight during this number. Commerford proved himself more than competent on the bass solo and backing vocals. Wilk had a nice roll on the drums, and Morello showed his remarkable versatility with the solo on his sunburst Gibson Les Paul. The Soundgarden songs that Audioslave played were played in what seemed to be a cautious manner and perhaps with just a bit of hesitation. This may improve with more shows under their belts. Chris Cornell seemed like he was genuinely moved by the crowd’s reaction, looking out at specific members of the crowd and nodding his appreciation.
Tom Morello was by far the most animated of the four for the entire show, jumping on monitors and off again, striking poses, and inciting the crowd. At no point was this more visible than during the Rage Against the Machine songs. After playing the first single from Out of Exile, the band paused. Cornell announced that behind him stood the greatest rock band in the country, and then walked off the stage. The first strains of “Bulls on Parade” wafted out toward us, and the crowd went nuts. We in the front row were thrust forward toward the barricade. I remember thinking with disappointment that Cornell wasn’t going to attempt to sing the RATM songs, but I was enjoying the raw power of the instrumental version too much to care a great deal.
Then Cornell returned – walking back to the microphone as “Sleep Now in the Fire” began. This song provoked more movement from Cornell than most others; he displayed his rhythm by rocking back and forth from one leg to the other as Wilk played at a martial tempo, reciting these great lines –
“For it's the end of history
It's caged and frozen still
There is no other pill to take
So swallow the one
That made you ill
The Nina, The Pinta, The Santa Maria
The noose and the rapist
The fields’ overseer
The agents of orange
The priests of Hiroshima
The cost of my desire…Sleep now in the fire”
The audience was in frenzy. After a great “Outshined” and a solid “Shadow on the Sun,” the band walked off. Cornell returned alone, walking out with an acoustic guitar, and serenaded us with a subdued “Black Hole Sun.” This was the one point at which his vocals had a chance not to be ‘outshined,’ but alas – it was not to be. Some prick behind Matt decided that he could sing the song better than Chris and tried to prove it. This may come as a shock, but he was wrong.
The full band came out for one of my favorite Audioslave songs, “I am the Highway,” and this rendition did not disappoint. The throat-tapping effect to conclude “Show Me How To Live” would have made for a great short movie clip taken with a digital camera, but unfortunately those had been disallowed at the last minute.
“Killing in the Name Of” was the penultimate song, and there is little to say about it, other than it was incredible. The Rage boys tore up the stage, and Chris acquitted himself of any doubts anyone may have had, seeing this on the setlist in advance. Unquestionably this song brought the most forceful crowd participation, as only a song with the lyrics “Fuck you, I won't do what you tell me” can.
Audioslave closed with “Cochise,” but as with any supergroup composed of members from other famous bands, the highlights came in the Soundgarden and Rage songs, which is probably why they were not played on the band’s first tours. The lowlight? Well, that would have to be the sweaty moron’s armpit that rested on my shoulder for the majority of the last four songs of the show.
All in all, an incredible show and a band I would see again whenever possible. Our front-row position saved us from probable serious injury…and also made for a great experience. Chris Cornell, it can safely be said, is one of the greatest frontmen in rock, and his claim about his bandmates is truly not much of an exaggeration. Great concert.
The audience was in frenzy. After a great “Outshined” and a solid “Shadow on the Sun,” the band walked off. Cornell returned alone, walking out with an acoustic guitar, and serenaded us with a subdued “Black Hole Sun.” This was the one point at which his vocals had a chance not to be ‘outshined,’ but alas – it was not to be. Some prick behind Matt decided that he could sing the song better than Chris and tried to prove it. This may come as a shock, but he was wrong.
The full band came out for one of my favorite Audioslave songs, “I am the Highway,” and this rendition did not disappoint. The throat-tapping effect to conclude “Show Me How To Live” would have made for a great short movie clip taken with a digital camera, but unfortunately those had been disallowed at the last minute.
“Killing in the Name Of” was the penultimate song, and there is little to say about it, other than it was incredible. The Rage boys tore up the stage, and Chris acquitted himself of any doubts anyone may have had, seeing this on the setlist in advance. Unquestionably this song brought the most forceful crowd participation, as only a song with the lyrics “Fuck you, I won't do what you tell me” can.
Audioslave closed with “Cochise,” but as with any supergroup composed of members from other famous bands, the highlights came in the Soundgarden and Rage songs, which is probably why they were not played on the band’s first tours. The lowlight? Well, that would have to be the sweaty moron’s armpit that rested on my shoulder for the majority of the last four songs of the show.
All in all, an incredible show and a band I would see again whenever possible. Our front-row position saved us from probable serious injury…and also made for a great experience. Chris Cornell, it can safely be said, is one of the greatest frontmen in rock, and his claim about his bandmates is truly not much of an exaggeration. Great concert.
The Smile of a Satisfied Fan
Me, Zareh, and Jim (Susie's husband) after the show in Myrtle Beach
This picture was taken just outside the House of Blues after the show. I had talked with Zareh and his beautiful wife for quite a while prior to the show. Zareh reminded me a great deal of my friend Paul, just in his ecclectic musical taste and the ease with which he and I conversed about bands we enjoyed. He lives in New York City, but had traveled up from a temporary stay in Georgia to be there for the show. There was some bittersweet quality to the encounter with Zareh and Alina, just because they reminded me of the four Plant shows I had attended with Destini, mostly by their shared enthusiasm and obvious love for each other. It just brought to my attention, once again, that I was alone.
Jim is Susie's husband, and we had also talked while standing in line. He seems like a really great guy, and really - how can you not be a great husband if you're taking your wife to see Robert Plant? They had flown in from Wisconsin and both had a great attitude about life, basically espousing the belief that life is meant to be enjoyed and that they weren't going to wait until retirement to have a good time. I was very lucky to have great people around for the very long wait before the show. This is in direct contrast to the next month's Audioslave show, when Matt, Thom, KP, and myself were surrounded by idiots.
Having a Drink with Mr. Plant
Susie, Cindi's sister (sorry, don't know her name), Robert Plant, Cindi, Justin Adams (guitar, Strange Sensation)
Well, I'm not sure what to say about this other than that I'll resent these people for the rest of their lives for being able to hang out with one of my idols while I was busy trying to drive a few hours after the concert so I wouldn't have to drive for 13 hours the next day.
No - I probably won't hold it against them...for long. Anyway - these are some of the people that I spent time with in line before the show in Myrtle Beach. We had some nice conversations, some Zeppelin-related and some not. I also ended up standing next to most of them for the duration of the performance and we talked for a bit after the show. Susie and Jim informed me that they were going to try to meet Robert. I basically said, "good luck." Well, they were pretty determined. They found out he was staying at a certain hotel, finally tracked it down, and eventually encountered the band minus Robert (I may post that picture later, but I realize most of you don't care) and later saw Mr. Plant emerge from an elevator. I won't go into the whole story, since it depresses me to tell it - ha - but essentially, they had the pleasure of sitting down with Robert and having a nice, casual, hour-long discussion over drinks in the hotel lounge.
Yeah, I said an hour.
Anyway - they're all nice people, and Susie was kind enough to send me some pictures. I've talked to Cindi via email since the show - from all accounts, she was virtually speechless the entire meeting.
So although I went alone, I did meet some great Zep/Plant fans, and that's what it's all about.
Nice To See Some People Speaking Up
From CrooksandLiars.com:
"Bright Eyes plays anti-Bush song on Jay Leno
I couldn't believe he got to play this song on NBC.
I'm waiting for the right wingers to mount a protest against Jay Leno and NBC now. Brent Bozell will proclaim "liberal bias" high atop the rafters of the MRC.
Click here for the performance
Daily Kos: Last night, folk-rocker Conor Oberst (aka Bright Eyes) performed on the Tonight Show with Jay Leno. If you've heard any of his albums, you know Bright Eyes is clearly political (he participated in last year's Vote for Change tour, as noted in the Rolling Stone excerpt I posted below the fold).
But last night's performance was just incredible -- in fact, I'm legitimately surprised NBC even allowed it to air..."
and also:
http://homepage.mac.com/njenson/movies/timryanlow.html
"Bright Eyes plays anti-Bush song on Jay Leno
I couldn't believe he got to play this song on NBC.
I'm waiting for the right wingers to mount a protest against Jay Leno and NBC now. Brent Bozell will proclaim "liberal bias" high atop the rafters of the MRC.
Click here for the performance
Daily Kos: Last night, folk-rocker Conor Oberst (aka Bright Eyes) performed on the Tonight Show with Jay Leno. If you've heard any of his albums, you know Bright Eyes is clearly political (he participated in last year's Vote for Change tour, as noted in the Rolling Stone excerpt I posted below the fold).
But last night's performance was just incredible -- in fact, I'm legitimately surprised NBC even allowed it to air..."
and also:
http://homepage.mac.com/njenson/movies/timryanlow.html
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